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Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.
Focusing on visual approaches to performance in global cultural contexts, Perspectives in Motion explores the work of Adrienne L. Kaeppler, a pioneering researcher who has made a number of interdisciplinary contributions over five decades to dance and performance studies. Through a diverse range of case studies from Oceania, Asia, and Europe, and interdisciplinary approaches, this edited collection offers new critical and ethnographic frameworks for understanding and experiencing practices of music and dance across the globe.
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Autorenporträt
Brian Diettrich is Senior Lecturer in Ethnomusicology at Victoria University of Wellington. He is a co-author of Music in Pacific Island Cultures: Experiencing Music, Expressing Culture (2011, Oxford University Press), and his work has appeared in numerous publications including Yearbook for Traditional Music, The Galpin Society Journal, and Ethnomusicology.
Inhaltsangabe
List of illustrations Foreword Nanasipaüu Tuküaho Acknowledgements Introduction: Engaging the Visual in Dance and Music Brian Diettrich and Kendra Stepputat Part I: Gaining Insights through Dance Visualizations Chapter 1. Kinetic Songscapes: Intersensorial Listening to Hula Küi Songs Kati Szego Chapter 2. Using Motion Capture to Access Culturally Embedded and Embodied Movement Knowledge: A Case Study in Tango Argentino Kendra Stepputat Chapter 3. Transcription and Description: Tasks for Dance Research Egil Bakka Chapter 4. Moving into Someone Else's Research Project: Issues in Collaborative Research Judy Van Zile Part II: Reconsidering Movement Structures Chapter 5. The Dancer's Voice: The Dancing Body as Sound Made Visible Jane Freeman Moulin Chapter 6. From Tonga to Malaysia: Utlilising Adrienne Kaeppler's Analysis of Dance Structure to Understand Igal of the Sama-Bajau in East Malaysia Mohd Anis Md Nor Chapter 7. Courting as Structured Movement in the Eastern Highlands of Papua New Guinea Don Niles Part III: Music and Dance as Agency in Power Struggles Chapter 8. Disturbing Bodies: Danced Resistance and Imperial Corporeality in Colonial Micronesia Brian Diettrich Chapter 9. Greek Politicians' Dancing: Theatrical Representations of Political Power Irene Loutzaki Chapter 10. Lalåi: Somatic Decolonisation and Worldview-Making through Chant on the Pacific Island of Guåhan Ojeya Cruz Banks Part IV: Significance of the Tangible Chapter 11. Intangible Dancing as Tangible Museum Exhibits Elsie Ivancich Dunin Chapter 12. Creativity and Ceremony in the Repatriation of King Ng:tja' Kirsty Gillespie Chapter 13. The Weave Within: Being, Seeing and Sensing in Barasili - Solomon Islands Irene Karongo Hundleby Part V: Perspectives from Adrienne L. Kaeppler Interview with Adrienne L. Kaeppler: A Conversation with the Kupuna Ricardo D. Trimillos and Adrienne L. Kaeppler Publications by Adrienne L. Kaeppler Jess Marinaccio (compiler) Index
List of illustrations Foreword Nanasipaüu Tuküaho Acknowledgements Introduction: Engaging the Visual in Dance and Music Brian Diettrich and Kendra Stepputat Part I: Gaining Insights through Dance Visualizations Chapter 1. Kinetic Songscapes: Intersensorial Listening to Hula Küi Songs Kati Szego Chapter 2. Using Motion Capture to Access Culturally Embedded and Embodied Movement Knowledge: A Case Study in Tango Argentino Kendra Stepputat Chapter 3. Transcription and Description: Tasks for Dance Research Egil Bakka Chapter 4. Moving into Someone Else's Research Project: Issues in Collaborative Research Judy Van Zile Part II: Reconsidering Movement Structures Chapter 5. The Dancer's Voice: The Dancing Body as Sound Made Visible Jane Freeman Moulin Chapter 6. From Tonga to Malaysia: Utlilising Adrienne Kaeppler's Analysis of Dance Structure to Understand Igal of the Sama-Bajau in East Malaysia Mohd Anis Md Nor Chapter 7. Courting as Structured Movement in the Eastern Highlands of Papua New Guinea Don Niles Part III: Music and Dance as Agency in Power Struggles Chapter 8. Disturbing Bodies: Danced Resistance and Imperial Corporeality in Colonial Micronesia Brian Diettrich Chapter 9. Greek Politicians' Dancing: Theatrical Representations of Political Power Irene Loutzaki Chapter 10. Lalåi: Somatic Decolonisation and Worldview-Making through Chant on the Pacific Island of Guåhan Ojeya Cruz Banks Part IV: Significance of the Tangible Chapter 11. Intangible Dancing as Tangible Museum Exhibits Elsie Ivancich Dunin Chapter 12. Creativity and Ceremony in the Repatriation of King Ng:tja' Kirsty Gillespie Chapter 13. The Weave Within: Being, Seeing and Sensing in Barasili - Solomon Islands Irene Karongo Hundleby Part V: Perspectives from Adrienne L. Kaeppler Interview with Adrienne L. Kaeppler: A Conversation with the Kupuna Ricardo D. Trimillos and Adrienne L. Kaeppler Publications by Adrienne L. Kaeppler Jess Marinaccio (compiler) Index
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