Perspectives on Research Assessment in Architecture, Music and the Arts (eBook, PDF)
Discussing Doctorateness
Redaktion: Nilsson, Fredrik; Janssens, Nel; Dunin-Woyseth, Halina
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Perspectives on Research Assessment in Architecture, Music and the Arts (eBook, PDF)
Discussing Doctorateness
Redaktion: Nilsson, Fredrik; Janssens, Nel; Dunin-Woyseth, Halina
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In creative fields such as architecture, design, music and fine arts, research has been developing over the last two decades, with new forms and modes of study emerging. This book is an attempt to create a broader arena for discussion on doctorateness by establishing a framework for its application to creative disciplines.
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In creative fields such as architecture, design, music and fine arts, research has been developing over the last two decades, with new forms and modes of study emerging. This book is an attempt to create a broader arena for discussion on doctorateness by establishing a framework for its application to creative disciplines.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 218
- Erscheinungstermin: 3. Februar 2017
- Englisch
- ISBN-13: 9781315526645
- Artikelnr.: 47903002
- Verlag: Taylor & Francis
- Seitenzahl: 218
- Erscheinungstermin: 3. Februar 2017
- Englisch
- ISBN-13: 9781315526645
- Artikelnr.: 47903002
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Fredrik Nilsson is Professor of Architectural Theory and Head of the Department of Architecture at Chalmers University of Technology, Sweden. Halina Dunin-Woyseth is Professor Emerita at the Oslo School of Architecture and Design, Norway, where she was the founding head of the doctoral programme. Nel Janssens is Associate Professor in the Faculty of Architecture at KU Leuven, Campus Sint-Lucas, Brussels, Belgium, and visiting scholar in the Department of Architecture at Chalmers University of Technology, Sweden.
The Art of Assessment: Focusing Research Assessment from Different
Perspectives (Halina Dunin-Woyseth, Nel Janssens and Fredrik Nilsson),
Part I: Framing "Doctorateness", 1. Doctorateness: Where Should We Look for
Evidence? (Michael Biggs), 2. Emerging Epistemic Communities and Cultures
of Evidence: On the Practice of Assessment of Research in the Creative
Fields (Halina Dunin-Woyseth and Fredrik Nilsson), 3. Setting the Scene:
The Development of Formal Frameworks for Doctorates in Europe (Anne
Solberg), Part II: Various Experiences, Cases and Concerns, 4. Criteria for
"Doctorateness" in the Creative Fields: A Focus on Architecture (Oya Atalay
Franck), 5. Preserving Openness in Design Research in Architecture (Murray
Fraser), 6. Design Practice Research in Architecture and Design at RMIT
University: Discovery, Reflection and Assessment (Colin Fudge and Adriana
Partal), 7. Doctoral Scholarship in Popular Music Performance (Tor Dybo),
8. Exploring, Enhancing and Evaluating Musical 'Doctorateness':
Perspectives on Performance and Composition (Karen Burland, Michael Spencer
and Luke Windsor), 9. Constructing Publics as a Key to Doctoral Research. A
Discussion of Two PhD Projects Engaging in Societal Issues with Artistic
and Design-Based Methods (Liesbeth Huybrechts and Marijn van de Weijer),
Part III: Doctorateness to Come?, 10.Non-Observational Research: A Possible
Future Route for Knowledge Acquisition in Architecture and the Arts (Nel
Janssens and Gerard de Zeeuw), 11. When Will it Thunder? (Rolf Hughes), 12.
Precision: The Compositional Accuracy of Artistic Judgement (Catharina
Dyrssen)
Perspectives (Halina Dunin-Woyseth, Nel Janssens and Fredrik Nilsson),
Part I: Framing "Doctorateness", 1. Doctorateness: Where Should We Look for
Evidence? (Michael Biggs), 2. Emerging Epistemic Communities and Cultures
of Evidence: On the Practice of Assessment of Research in the Creative
Fields (Halina Dunin-Woyseth and Fredrik Nilsson), 3. Setting the Scene:
The Development of Formal Frameworks for Doctorates in Europe (Anne
Solberg), Part II: Various Experiences, Cases and Concerns, 4. Criteria for
"Doctorateness" in the Creative Fields: A Focus on Architecture (Oya Atalay
Franck), 5. Preserving Openness in Design Research in Architecture (Murray
Fraser), 6. Design Practice Research in Architecture and Design at RMIT
University: Discovery, Reflection and Assessment (Colin Fudge and Adriana
Partal), 7. Doctoral Scholarship in Popular Music Performance (Tor Dybo),
8. Exploring, Enhancing and Evaluating Musical 'Doctorateness':
Perspectives on Performance and Composition (Karen Burland, Michael Spencer
and Luke Windsor), 9. Constructing Publics as a Key to Doctoral Research. A
Discussion of Two PhD Projects Engaging in Societal Issues with Artistic
and Design-Based Methods (Liesbeth Huybrechts and Marijn van de Weijer),
Part III: Doctorateness to Come?, 10.Non-Observational Research: A Possible
Future Route for Knowledge Acquisition in Architecture and the Arts (Nel
Janssens and Gerard de Zeeuw), 11. When Will it Thunder? (Rolf Hughes), 12.
Precision: The Compositional Accuracy of Artistic Judgement (Catharina
Dyrssen)
The Art of Assessment: Focusing Research Assessment from Different
Perspectives (Halina Dunin-Woyseth, Nel Janssens and Fredrik Nilsson),
Part I: Framing "Doctorateness", 1. Doctorateness: Where Should We Look for
Evidence? (Michael Biggs), 2. Emerging Epistemic Communities and Cultures
of Evidence: On the Practice of Assessment of Research in the Creative
Fields (Halina Dunin-Woyseth and Fredrik Nilsson), 3. Setting the Scene:
The Development of Formal Frameworks for Doctorates in Europe (Anne
Solberg), Part II: Various Experiences, Cases and Concerns, 4. Criteria for
"Doctorateness" in the Creative Fields: A Focus on Architecture (Oya Atalay
Franck), 5. Preserving Openness in Design Research in Architecture (Murray
Fraser), 6. Design Practice Research in Architecture and Design at RMIT
University: Discovery, Reflection and Assessment (Colin Fudge and Adriana
Partal), 7. Doctoral Scholarship in Popular Music Performance (Tor Dybo),
8. Exploring, Enhancing and Evaluating Musical 'Doctorateness':
Perspectives on Performance and Composition (Karen Burland, Michael Spencer
and Luke Windsor), 9. Constructing Publics as a Key to Doctoral Research. A
Discussion of Two PhD Projects Engaging in Societal Issues with Artistic
and Design-Based Methods (Liesbeth Huybrechts and Marijn van de Weijer),
Part III: Doctorateness to Come?, 10.Non-Observational Research: A Possible
Future Route for Knowledge Acquisition in Architecture and the Arts (Nel
Janssens and Gerard de Zeeuw), 11. When Will it Thunder? (Rolf Hughes), 12.
Precision: The Compositional Accuracy of Artistic Judgement (Catharina
Dyrssen)
Perspectives (Halina Dunin-Woyseth, Nel Janssens and Fredrik Nilsson),
Part I: Framing "Doctorateness", 1. Doctorateness: Where Should We Look for
Evidence? (Michael Biggs), 2. Emerging Epistemic Communities and Cultures
of Evidence: On the Practice of Assessment of Research in the Creative
Fields (Halina Dunin-Woyseth and Fredrik Nilsson), 3. Setting the Scene:
The Development of Formal Frameworks for Doctorates in Europe (Anne
Solberg), Part II: Various Experiences, Cases and Concerns, 4. Criteria for
"Doctorateness" in the Creative Fields: A Focus on Architecture (Oya Atalay
Franck), 5. Preserving Openness in Design Research in Architecture (Murray
Fraser), 6. Design Practice Research in Architecture and Design at RMIT
University: Discovery, Reflection and Assessment (Colin Fudge and Adriana
Partal), 7. Doctoral Scholarship in Popular Music Performance (Tor Dybo),
8. Exploring, Enhancing and Evaluating Musical 'Doctorateness':
Perspectives on Performance and Composition (Karen Burland, Michael Spencer
and Luke Windsor), 9. Constructing Publics as a Key to Doctoral Research. A
Discussion of Two PhD Projects Engaging in Societal Issues with Artistic
and Design-Based Methods (Liesbeth Huybrechts and Marijn van de Weijer),
Part III: Doctorateness to Come?, 10.Non-Observational Research: A Possible
Future Route for Knowledge Acquisition in Architecture and the Arts (Nel
Janssens and Gerard de Zeeuw), 11. When Will it Thunder? (Rolf Hughes), 12.
Precision: The Compositional Accuracy of Artistic Judgement (Catharina
Dyrssen)