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The wave of unrest which took place in 1840s Wales, known as 'Rebeccaism' or 'the Rebecca riots', stands out as a success story within the generally gloomy annals of popular struggle and defeat. The story is remembered in vivid and compelling images: attacks on tollgates and other symbols of perceived injustice by farmers and workers, outlandishly dressed in bonnets and petticoats and led by the iconic anonymous figure of Rebecca herself. The events form a core part of historical study and remembrance in Wales, and frequently appear in broader work on British radicalism and Victorian protest…mehr
The wave of unrest which took place in 1840s Wales, known as 'Rebeccaism' or 'the Rebecca riots', stands out as a success story within the generally gloomy annals of popular struggle and defeat. The story is remembered in vivid and compelling images: attacks on tollgates and other symbols of perceived injustice by farmers and workers, outlandishly dressed in bonnets and petticoats and led by the iconic anonymous figure of Rebecca herself. The events form a core part of historical study and remembrance in Wales, and frequently appear in broader work on British radicalism and Victorian protest movements. This book draws on cultural history, gender studies and symbolic anthropology to present fresh and alternative arguments on the meaning of Rebeccaite costume and ritual; the significance of the feminine in protest; the links between protest and popular culture; the use of Rebecca's image in Victorian press and political discourse; and the ways in which the events and the image of Rebecca herself were integrated into politics, culture and popular memory in Wales and beyond. All these aspects repay greater consideration than they have yet been accorded, and highlight the relevance of Rebeccaism to British and European popular protest - up to and including the present day.
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Autorenporträt
Rhian E. Jones grew up in south Wales and now lives and works in London, where she writes on history, politics, popular culture. and their intersections. After studying at London and Oxford, she worked in retail while working to establish herself as a journalist, historian and writer of fiction and non-fiction. She has written for various publications including The Guardian, Salon, Los Angeles Review of Books, New Welsh Review and the Morning Star. Her first book Clampdown: Pop-Cultural Wars on Class and Gender (Zero Books, 2013), a critique of British popular culture and politics from the 1990s onwards, was included in the Guardian's Best Music Books of 2013. She writes the blog 'Velvet Coalmine' at www.rhianejones.com.
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