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This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions which it derives its influences from. It re-examines terms and concepts used in film criticism and contextualises them within the aesthetics, poetics, and politics of Indian cinema..

Produktbeschreibung
This book interrogates the vocabulary used in theorizing about Indian cinema to reach into the deeper cultural meanings of philosophies and traditions which it derives its influences from. It re-examines terms and concepts used in film criticism and contextualises them within the aesthetics, poetics, and politics of Indian cinema..


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Autorenporträt
MK Raghavendra is a film scholar and critic. He received the National Award for Best Film Critic in 1997 and was awarded a Homi Bhabha Fellowship in 2000-2001. He has authored four volumes of academic film scholarship criticism - Seduced by the Familiar: Narration and Meaning in Indian Popular Cinema , Bipolar Identity: Region, Nation and the Kannada Language Film , The Politics of Hindi Cinema in the New Millennium: Bollywood and the Anglophone Indian Nation , and Locating World Cinema: Interpretations of Film as Culture . He has also written two books on cinema for the general reader: 50 Indian Film Classics and Director's Cut: 50 Film-makers of the Modern Era . His essays on Indian cinema find a place in Indian and international anthologies. He has also published extensively in Indian newspapers, periodicals and journals like The Indian Review of Books , Caravan , Economic and Political Weekly , Frontline, The Book Review and Biblio: A Review of Books . His writing has been translated into French, Polish and Russian. He has edited an anthology of writing on South Indian cinema, Beyond Bollywood : The Cinemas of South India , published in 2017. His book The Oxford India Short Introduction to Bollywood was published in 2016. He is the founder-editor of the online journal Phalanx, which is dedicated to debate.