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This book offers a range of perspectives on photography in Africa, bringing research on South African photography into conversation with work from several other places on the continent. The collection engages with the history of photography and its role in colonial regulation; with social documentation and self-representation; and with the place of portraits in the production of subjectivities, as well as contemporary and experimental photographic practices. Through analyses of photographs and archives, this book traces how photography both affirmed colonial worldviews, and disrupted and…mehr

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Produktbeschreibung
This book offers a range of perspectives on photography in Africa, bringing research on South African photography into conversation with work from several other places on the continent. The collection engages with the history of photography and its role in colonial regulation; with social documentation and self-representation; and with the place of portraits in the production of subjectivities, as well as contemporary and experimental photographic practices. Through analyses of photographs and archives, this book traces how photography both affirmed colonial worldviews, and disrupted and critiqued such forms of power. This book was published as a special issue of Social Dynamics.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Kylie Thomas is a Research Fellow at the Institute for Reconciliation and Social Justice, University of the Free State, South Africa. She writes about photography, violence, and South Africa during and after apartheid. She has held research fellowships at Stellenbosch University, the University of Cape Town, and the University of the Western Cape, and has taught in the Department of Fine Art at Rhodes University in Grahamstown, South Africa. She is the author of Impossible Mourning: HIV/AIDS and Visuality After Apartheid (2013). Louise Green is a senior lecturer in the Department of English at Stellenbosch University, Cape Town, South Africa. Her research draws on the critical insights of Theodor Adorno to investigate the place of nature in contemporary global culture. She works in the area of critical theory and visual studies, tracing the elusive, mobile and diverse formations of value in late capitalist society.