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This book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.

Produktbeschreibung
This book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Michael Pickering is Emeritus Professor in the Social Sciences department at Loughborough University, UK. He has published in the areas of media and cultural history, sociology of culture, music studies and memory studies. Emily Keightley is Senior Lecturer in the Department of Social Sciences at Loughborough University, UK. Her research interests include the mediation of memory, time and everyday life. She has published on topics which include everyday memory, mediated mobility, memory and methodology, generational transmission and painful pasts.