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This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative in which they combined words with images.
This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative in which they combined words with images.
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Autorenporträt
Edward Timms is Research Professor in History at the Centre for German-Jewish Studies, University of Sussex, and a Fellow of the British Academy. He is best known for his book Karl Kraus - Apocalyptic Satirist, published in two volumes as Culture and Catastrophe in Habsburg Vienna (1986) and The Post-War Crisis and the Rise of the Swastika (2005).
Deborah Schultz is Research Fellow in the Centre for German-Jewish Studies, University of Sussex. She is the author of Marcel Broodthaers: Strategy and Dialogue (2007) and co-editor with Edward Timms of Arnold Daghani's Memories of Mikhailowka: The Illustrated Diary of a Slave Labour Camp Survivor (2009).
Inhaltsangabe
1. Pictorial narrative as the art of crisis: purity, hybridity and representation 2. Autobiographical motifs in the paintings of Felix Nussbaum 3. Charlotte Salomon's Life? or Theatre?: a multimedia response to the crisis of German culture 4. Charlotte Salomon: images, dialogues and silences 5. Survival and memory: Arnold Daghani's verbal and visual diaries 6. Postwar pictorial narratives: from Daghani to Kitaj 7. Painting under pressure: self-reflection and the breakthrough to new forms 8. Breaking the silence: pictorial narratives of the Nazi period presented to modern audiences
1. Pictorial narrative as the art of crisis: purity, hybridity and representation
2. Autobiographical motifs in the paintings of Felix Nussbaum
3. Charlotte Salomon's Life? or Theatre?: a multimedia response to the crisis of German culture
4. Charlotte Salomon: images, dialogues and silences
5. Survival and memory: Arnold Daghani's verbal and visual diaries
6. Postwar pictorial narratives: from Daghani to Kitaj
7. Painting under pressure: self-reflection and the breakthrough to new forms
8. Breaking the silence: pictorial narratives of the Nazi period presented to modern audiences
1. Pictorial narrative as the art of crisis: purity, hybridity and representation 2. Autobiographical motifs in the paintings of Felix Nussbaum 3. Charlotte Salomon's Life? or Theatre?: a multimedia response to the crisis of German culture 4. Charlotte Salomon: images, dialogues and silences 5. Survival and memory: Arnold Daghani's verbal and visual diaries 6. Postwar pictorial narratives: from Daghani to Kitaj 7. Painting under pressure: self-reflection and the breakthrough to new forms 8. Breaking the silence: pictorial narratives of the Nazi period presented to modern audiences
1. Pictorial narrative as the art of crisis: purity, hybridity and representation
2. Autobiographical motifs in the paintings of Felix Nussbaum
3. Charlotte Salomon's Life? or Theatre?: a multimedia response to the crisis of German culture
4. Charlotte Salomon: images, dialogues and silences
5. Survival and memory: Arnold Daghani's verbal and visual diaries
6. Postwar pictorial narratives: from Daghani to Kitaj
7. Painting under pressure: self-reflection and the breakthrough to new forms
8. Breaking the silence: pictorial narratives of the Nazi period presented to modern audiences
Rezensionen
'The strenght of this extended analysis lies in its subtle considerations of dialectics: between form and content, between word and image, between life and art.' - The Art Book
'The strenght of this extended analysis lies in its subtle considerations of dialectics: between form and content, between word and image, between life and art.' -The Art Book
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