While most film history studies are centred on films or those who produce them, Picturegoers puts the voices of the audience first. It analyses and celebrates the audience's point of view, shaped by time, experience and place, providing a rich, entertaining portrait of a medium that became so transformative precisely because anyone, rich or poor, educated or not, could share in it.
The book will appeal to scholars interested in the relationship between cinema and society, those engaged in audience studies, and general readers interested in world cinema history.
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