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  • Format: ePub

Michel Strauss embarked on an enduring love affair at the age of six when he saw for the first time paintings by Manet, Monet and Degas: the passion aroused by these artists never left him. This passion, this 'eye’ as he calls it led to his becoming Head of the Impressionist Department at Sotheby’s where he remained for forty years. He describes the personalities he met along the way: the collectors, the dealers, the colleagues and even the forgers, as well as the clients who shared his passion. There were times of boom and times of recession, there were very difficult times - in particular…mehr

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Produktbeschreibung
Michel Strauss embarked on an enduring love affair at the age of six when he saw for the first time paintings by Manet, Monet and Degas: the passion aroused by these artists never left him. This passion, this 'eye’ as he calls it led to his becoming Head of the Impressionist Department at Sotheby’s where he remained for forty years. He describes the personalities he met along the way: the collectors, the dealers, the colleagues and even the forgers, as well as the clients who shared his passion. There were times of boom and times of recession, there were very difficult times - in particular the anti-trust era - and there were times that brought great delight and a sense of achievement, in particular the British Rail Pension Fund sale which Michel had helped set up and which exceeded all expectations. An authoritative and highly respected figure in the art world, Michel Strauss has handled the greatest of all Impressionist works, some of which it was thought had been lost forever.

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Autorenporträt
Michel Strauss had more than 4 decades' experience advising many great collectors and was responsible for the sale of numerous important paintings and collections. An Art Historian and renowned expert in the field of Impressionism and 20th Century art, his expertise covered the period from 1865 to 1973, from the birth of Impressionism to the death of Picasso. He was Head of Sotheby's Impressionist and Modern Art Department and Board member from 1965 to 2000. From then on, he worked as an independent consultant.