The reports of two of Ruth's successors as wardens, and the reminiscences of former students, outline how the challenges posed by the new educational order in the post-World War Two era and into the swinging sixties were met. Later events and a series of problems leading to the eventual closure of what had remained a haven of sanity in a quickly-changing educational world, are recounted with the help of the recollections of former students, in a sensitive and affectionate narrative.
In its last phase, the Hall was occupied by the Arts Council of Northern Ireland. This short but intriguing interlude is recounted by Marcus Patton. And, of course, no-one is better placed than Patton to describe the physical attributes of a building that holds warm memories for thousands of students and which played not only a formative role in their young lives but also provided a crucial facility for women's third-level education in Northern Ireland.
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