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This is about musicians' working lives in Britain from the late Victorian era to the present day. Using the Musicians' Union as a prism through which to explore those lives, the book illuminates the key factors which shape musicians' working lives including such things as changes in technology, law and the music industries, while also considering matters of nationality, gender and genre. Anyone interested in music and the people who make it will be interested in this history.
This is about musicians' working lives in Britain from the late Victorian era to the present day. Using the Musicians' Union as a prism through which to explore those lives, the book illuminates the key factors which shape musicians' working lives including such things as changes in technology, law and the music industries, while also considering matters of nationality, gender and genre. Anyone interested in music and the people who make it will be interested in this history.
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Autorenporträt
Martin Cloonan is Professor of Popular Music Politics at the University of Glasgow John Williamson is Research Associate in Music at the University of Glasgow
Inhaltsangabe
Introduction 1. Musicians' organisations before 1893 2. Early days: the Amalgamated Musicians' Union, 1893 1918 3. Boom and bust: 1919 33 4. The politics of dancing: 1934 45 5. Worlds of possibilities: 1946 55 6. The beat generation: 1956 70 7. The John Morton years: 1971 90 8. Disharmony: 1991 2002 9. Beginning again: the MU in the twenty first century Conclusion Index
Introduction 1. Musicians' organisations before 1893 2. Early days: the Amalgamated Musicians' Union, 1893 1918 3. Boom and bust: 1919 33 4. The politics of dancing: 1934 45 5. Worlds of possibilities: 1946 55 6. The beat generation: 1956 70 7. The John Morton years: 1971 90 8. Disharmony: 1991 2002 9. Beginning again: the MU in the twenty first century Conclusion Index
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