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Mary M. and Kenneth J. Gergen make a strong case for enriching the social sciences through performative work, establishing a framework for performative research and including many of their own performance works.
Mary M. and Kenneth J. Gergen make a strong case for enriching the social sciences through performative work, establishing a framework for performative research and including many of their own performance works.
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Purpose: Contributions of a Performative Social Science Literary Arts: Playing With Potentials Chapter 4 Duographic Writing Chapter 5 Collaging Voices, Mary Gergen Chapter 6 Multiplying Metaphors, Mary Gergen Chapter 7 The Dialogic Alternative, Mary Gergen, Kip Jones Chapter 8 Juxtaposing Genres, Ken Gergen Chapter 9 Reflections on Writing Dramatic Arts: Ideas in Action Chapter 10 Performing the Mind, Ken Gergen Chapter 11 Performing Theory, Mary Gergen Chapter 12 Theatrical Power, Mary Gergen Chapter 13 The Costume is the Message, Mary Gergen Chapter 14 Reflecting on Dramatic Performance Visualizing Ideas: Believing Is Seeing Chapter 15 Playing with Sam, ken Gergen, Sam Maitin Chapter 16 Relational Art, Ken Gergen, Regine Walter Chapter 17 Photographic Playtime, Ken Gergen, Anne Marie Rijsman-Lecluyse Chapter 18 Visual Deconstruction, Ken Gergen, Anne Marie Rijsman-Lecluyse Chapter 19 Reflecting on Visual Performance Extending Experiments: Flying Furniture Chapter 20 Sculpting Ideas, Ken Gergen Chapter 21 Cartooning and Critique, Mary Gergen Chapter 22 To Song Chapter 23 The Power of Multimedia, Ken Gergen Chapter 24 Cybergraphics, Ken Gergen, Anne Marie Rijsman-Lecluyse Chapter 25 Fragmented Moments: Haiku, Mary Gergen Chapter 26 Teaching through Fiction, Mary Gergen Chapter 27 Reflecting on Extended Experiments
Purpose: Contributions of a Performative Social Science Literary Arts: Playing With Potentials Chapter 4 Duographic Writing Chapter 5 Collaging Voices, Mary Gergen Chapter 6 Multiplying Metaphors, Mary Gergen Chapter 7 The Dialogic Alternative, Mary Gergen, Kip Jones Chapter 8 Juxtaposing Genres, Ken Gergen Chapter 9 Reflections on Writing Dramatic Arts: Ideas in Action Chapter 10 Performing the Mind, Ken Gergen Chapter 11 Performing Theory, Mary Gergen Chapter 12 Theatrical Power, Mary Gergen Chapter 13 The Costume is the Message, Mary Gergen Chapter 14 Reflecting on Dramatic Performance Visualizing Ideas: Believing Is Seeing Chapter 15 Playing with Sam, ken Gergen, Sam Maitin Chapter 16 Relational Art, Ken Gergen, Regine Walter Chapter 17 Photographic Playtime, Ken Gergen, Anne Marie Rijsman-Lecluyse Chapter 18 Visual Deconstruction, Ken Gergen, Anne Marie Rijsman-Lecluyse Chapter 19 Reflecting on Visual Performance Extending Experiments: Flying Furniture Chapter 20 Sculpting Ideas, Ken Gergen Chapter 21 Cartooning and Critique, Mary Gergen Chapter 22 To Song Chapter 23 The Power of Multimedia, Ken Gergen Chapter 24 Cybergraphics, Ken Gergen, Anne Marie Rijsman-Lecluyse Chapter 25 Fragmented Moments: Haiku, Mary Gergen Chapter 26 Teaching through Fiction, Mary Gergen Chapter 27 Reflecting on Extended Experiments
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