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Glaspell was highly regarded in her time, and was well known as a Pulitzer Prize-winning playwright. Her short stories were regularly printed in the era's top periodicals, and her New York Times obituary states that she was "one of the nation's most widely-read novelists."Her early plays were in many respects as challenging and original as those with which O'Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism that may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed…mehr

Produktbeschreibung
Glaspell was highly regarded in her time, and was well known as a Pulitzer Prize-winning playwright. Her short stories were regularly printed in the era's top periodicals, and her New York Times obituary states that she was "one of the nation's most widely-read novelists."Her early plays were in many respects as challenging and original as those with which O'Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism that may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring.

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Autorenporträt
Susan Glaspell, an American dramatist, writer, journalist, and actress, lived from 1876 until 1948. She was raised in Iowa, went to Drake University, and then became a reporter for the Des Moines Daily News. Later, she relocated to New York City and started creating plays. She rose to prominence with the Provincetown Players, an avant-garde ensemble of authors and artists who presented experimental plays in Greenwich Village. Gender and social justice were frequent themes in Glaspell's plays. "Trifles" (1916), a one-act drama that examines the life of rural women in the Midwest and the violence that may develop in a patriarchal culture, is her most well-known work. Other noteworthy plays include "The Verge" (1921), which is about a woman's battle for artistic expression in an oppressive society, and "Inheritors" (1921), which is about the disagreements between a rich family over inheritance. In 1931, she won the Pulitzer Prize for theater for her play "Alison's House." Glaspell was a political activist and a supporter of women's rights in addition to her literary profession. She participated in a number of causes, such as the Women's International League for Peace and Freedom, and was a member of the Heterodoxy Club, a feminist organization in Greenwich Village. 1948 saw the passing of Glaspell in Provincetown, Massachusetts.