Plural and Multiple Geographies of Modern and Contemporary Art in East-Central Europe (eBook, ePUB)
Redaktion: Preda, Caterina; Radomska, Magdalena
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Plural and Multiple Geographies of Modern and Contemporary Art in East-Central Europe (eBook, ePUB)
Redaktion: Preda, Caterina; Radomska, Magdalena
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This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography.
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This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Erscheinungstermin: 29. November 2024
- Englisch
- ISBN-13: 9781040222508
- Artikelnr.: 72248426
- Verlag: Taylor & Francis
- Erscheinungstermin: 29. November 2024
- Englisch
- ISBN-13: 9781040222508
- Artikelnr.: 72248426
Caterina Preda is Associate Professor at the Department of Political Science, University of Bucharest. Magdalena Radomska is Assistant Professor at Adam Mickiewicz University in Poznä, Poland.
Part 1 Plural Geographies of East-Central European Art 1. Plural
Geography(ies): Between Class Division and Relations of Production 2.
Discontinuity. Considering East-Central Europe as a Discontinuous Space 3.
Points East: The Geo-Epistemology of East European Art through Conference
History 4. Capitalism, Geographies, the Racial/Colonial, and the
Imperial/Colonial Divide Part 2 Multiple Geographies - Non-hierarchical,
Flexible Mapping, and Non-mapping 5. Plurimodern Constellations: Scales of
Analysis in the Spatial History of Art 6. The Hegemonic Gaze and
East-Central Europe: Challenging the Totalitarian Paradigm 7. The Arts of
Mapping (East Central) Europe and David ¿erný's Entropa 8. A Shift from the
Geopolitics of Place to the Chronopolitics of Time in East-Central Europe?
Part 3 Geographies of Peripheral Solidarity 9. The Alternative Geography of
Socialist Cultural Internationalism: Transregional Artistic Solidarity
between East-Central Europe and Latin America 10. Black Masks White Skin:
Self-Identification with Africa in the Polish Culture during Late Socialism
11. From Postsocialist Geographies to Late Socialist Networks: The Role of
Cultural Exchange with Non-Aligned Countries in Croatia and Yugoslavia 12.
Transnational Zones for Museums and Archives between Latin America and
Eastern Europe Part 4 Geographies of "Strategic Essentialism" 13. Inside
the Trans/National: Feminist Geographies of Close Otherness in the Art of
East-Central Europe 14. An Art History of Place 15. Atemporal Histories and
the Geographies of East-Central Europe, or Why Have There Been No Great
Moldovan (Performance) Artists? 16. A Different Narrative of Nonalignment?
The Case of Socialist Albania in the Art History and Geography of
East-Central Europe
Geography(ies): Between Class Division and Relations of Production 2.
Discontinuity. Considering East-Central Europe as a Discontinuous Space 3.
Points East: The Geo-Epistemology of East European Art through Conference
History 4. Capitalism, Geographies, the Racial/Colonial, and the
Imperial/Colonial Divide Part 2 Multiple Geographies - Non-hierarchical,
Flexible Mapping, and Non-mapping 5. Plurimodern Constellations: Scales of
Analysis in the Spatial History of Art 6. The Hegemonic Gaze and
East-Central Europe: Challenging the Totalitarian Paradigm 7. The Arts of
Mapping (East Central) Europe and David ¿erný's Entropa 8. A Shift from the
Geopolitics of Place to the Chronopolitics of Time in East-Central Europe?
Part 3 Geographies of Peripheral Solidarity 9. The Alternative Geography of
Socialist Cultural Internationalism: Transregional Artistic Solidarity
between East-Central Europe and Latin America 10. Black Masks White Skin:
Self-Identification with Africa in the Polish Culture during Late Socialism
11. From Postsocialist Geographies to Late Socialist Networks: The Role of
Cultural Exchange with Non-Aligned Countries in Croatia and Yugoslavia 12.
Transnational Zones for Museums and Archives between Latin America and
Eastern Europe Part 4 Geographies of "Strategic Essentialism" 13. Inside
the Trans/National: Feminist Geographies of Close Otherness in the Art of
East-Central Europe 14. An Art History of Place 15. Atemporal Histories and
the Geographies of East-Central Europe, or Why Have There Been No Great
Moldovan (Performance) Artists? 16. A Different Narrative of Nonalignment?
The Case of Socialist Albania in the Art History and Geography of
East-Central Europe
Part 1 Plural Geographies of East-Central European Art 1. Plural
Geography(ies): Between Class Division and Relations of Production 2.
Discontinuity. Considering East-Central Europe as a Discontinuous Space 3.
Points East: The Geo-Epistemology of East European Art through Conference
History 4. Capitalism, Geographies, the Racial/Colonial, and the
Imperial/Colonial Divide Part 2 Multiple Geographies - Non-hierarchical,
Flexible Mapping, and Non-mapping 5. Plurimodern Constellations: Scales of
Analysis in the Spatial History of Art 6. The Hegemonic Gaze and
East-Central Europe: Challenging the Totalitarian Paradigm 7. The Arts of
Mapping (East Central) Europe and David ¿erný's Entropa 8. A Shift from the
Geopolitics of Place to the Chronopolitics of Time in East-Central Europe?
Part 3 Geographies of Peripheral Solidarity 9. The Alternative Geography of
Socialist Cultural Internationalism: Transregional Artistic Solidarity
between East-Central Europe and Latin America 10. Black Masks White Skin:
Self-Identification with Africa in the Polish Culture during Late Socialism
11. From Postsocialist Geographies to Late Socialist Networks: The Role of
Cultural Exchange with Non-Aligned Countries in Croatia and Yugoslavia 12.
Transnational Zones for Museums and Archives between Latin America and
Eastern Europe Part 4 Geographies of "Strategic Essentialism" 13. Inside
the Trans/National: Feminist Geographies of Close Otherness in the Art of
East-Central Europe 14. An Art History of Place 15. Atemporal Histories and
the Geographies of East-Central Europe, or Why Have There Been No Great
Moldovan (Performance) Artists? 16. A Different Narrative of Nonalignment?
The Case of Socialist Albania in the Art History and Geography of
East-Central Europe
Geography(ies): Between Class Division and Relations of Production 2.
Discontinuity. Considering East-Central Europe as a Discontinuous Space 3.
Points East: The Geo-Epistemology of East European Art through Conference
History 4. Capitalism, Geographies, the Racial/Colonial, and the
Imperial/Colonial Divide Part 2 Multiple Geographies - Non-hierarchical,
Flexible Mapping, and Non-mapping 5. Plurimodern Constellations: Scales of
Analysis in the Spatial History of Art 6. The Hegemonic Gaze and
East-Central Europe: Challenging the Totalitarian Paradigm 7. The Arts of
Mapping (East Central) Europe and David ¿erný's Entropa 8. A Shift from the
Geopolitics of Place to the Chronopolitics of Time in East-Central Europe?
Part 3 Geographies of Peripheral Solidarity 9. The Alternative Geography of
Socialist Cultural Internationalism: Transregional Artistic Solidarity
between East-Central Europe and Latin America 10. Black Masks White Skin:
Self-Identification with Africa in the Polish Culture during Late Socialism
11. From Postsocialist Geographies to Late Socialist Networks: The Role of
Cultural Exchange with Non-Aligned Countries in Croatia and Yugoslavia 12.
Transnational Zones for Museums and Archives between Latin America and
Eastern Europe Part 4 Geographies of "Strategic Essentialism" 13. Inside
the Trans/National: Feminist Geographies of Close Otherness in the Art of
East-Central Europe 14. An Art History of Place 15. Atemporal Histories and
the Geographies of East-Central Europe, or Why Have There Been No Great
Moldovan (Performance) Artists? 16. A Different Narrative of Nonalignment?
The Case of Socialist Albania in the Art History and Geography of
East-Central Europe