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Piping down the valleys wild,  Piping songs of pleasant glee,  On a cloud I saw a child,  And he laughing said to me:    "Pipe a song about a Lamb!"  So I piped with merry cheer.  "Piper, pipe that song again;"  So I piped: he wept to hear.    "Drop thy pipe, thy happy pipe;  Sing thy songs of happy cheer!"  So I sang the same again,  While he wept with joy to hear.    "Piper, sit thee down and write  In a book, that all may read."  So he vanish'd from my sight;  And I pluck'd a hollow reed,    And I made a rural pen,  And I stain'd the water clear,  And I wrote my happy songs  Every child may joy to hear.
 
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Produktbeschreibung
Piping down the valleys wild,  Piping songs of pleasant glee,  On a cloud I saw a child,  And he laughing said to me:    "Pipe a song about a Lamb!"  So I piped with merry cheer.  "Piper, pipe that song again;"  So I piped: he wept to hear.    "Drop thy pipe, thy happy pipe;  Sing thy songs of happy cheer!"  So I sang the same again,  While he wept with joy to hear.    "Piper, sit thee down and write  In a book, that all may read."  So he vanish'd from my sight;  And I pluck'd a hollow reed,    And I made a rural pen,  And I stain'd the water clear,  And I wrote my happy songs  Every child may joy to hear.

 


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Autorenporträt
William Blake (28 November 1757 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". His visual artistry led 21st-century critic Jonathan Jones to proclaim him "far and away the greatest artist Britain has ever produced". In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[4] While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God" or "human existence itself".