Joanna Gavins

Poetry in the Mind (eBook, PDF)

The Cognition of Contemporary Poetic Style

• Format: PDF

Produktbeschreibung

Joanna Gavins presents some of the newest and most influential ideas in cognitive psychology and cognitive linguistics through clearly explained, practical analyses of the work of some of the most popular and celebrated poets currently writing in the British Isles. Through analysis of works by Jo Bell, Simon Armitage, Sinead Morrissey, John Burnside, Alice Oswald and Kate Tempest she demonstrates the practical use of cognitive frameworks as a means of understanding poetry and its effects. Gavins examines cutting edge concepts in cognition including world-building, conceptual integration, embodiment, and distributed cognition and develops our understanding of key notions in poetics such as poetic metre, performance, metaphor and intertextuality. Each chapter of the book addresses a central poetic notion or feature of poetic style from an innovative cognitive perspective, shedding new light on established ideas about poetic creativity and language.

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Produktdetails

• Verlag: Edinburgh University Press
• Erscheinungstermin: 4. Dezember 2020
• Englisch
• ISBN-13: 9781474420716
• Artikelnr.: 72429841

Autorenporträt

Professor Joanna Gavins is Chair in English Language and Literature at the University of Sheffield, where she teaches courses in cognitive linguistics and stylistics. She is the author of Text World Theory: An Introduction (Edinburgh University Press, 2007), Reading the Absurd (Edinburgh University Press, 2013), co-editor (with Gerard Steen) of Cognitive Poetics in Practice (Routledge, 2003), and co-editor (with Ernestine Lahey) of World Building: Discourse in the Mind (Bloomsbury, 2016). She is the Director of the Text World Theory Special Collection at the University of Sheffield and Editor of the John Benjamins Linguistic Approaches to Literature book series.

Inhaltsangabe

Acknowledgements; List of Figures
Chapter One: Reading Poetry
Chapter Two: Time and Space
Chapter Three: Intertextuality
Chapter Four: Absence
Chapter Five: Performance
Chapter Six: Metaphor
Chapter Seven: Poetry in the Mind
References