This collection provides a comprehensive overview of the Oberammergau Passion play and its history from the 19th century onwards.
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Jan Mohr is Assistant Professor for Medieval German Literature at LMU Munich, Germany. Julia Stenzel is Professor of Theatre Studies at the University of Mainz, Germany.
Inhaltsangabe
Acknowledgements List of Figures Contributor Bios Chapter 1. How to Become a Trademark. An Introduction Jan Mohr, Julia Stenzel Part I. Being a Trademark - Typological and Historical Outlines Chapter 2. Comparing Singularities: The Passion Play and the Papacy Mariano Barbato Chapter 3. Tradition, Authority and Autonomy at the Oberammergau Passion Play, 1860 and 1890 Robert Priest Part II. Assembly, Community, Society - Negotiating the Theatrical Public Sphere Chapter 4. Pilgrims, Tourists and Ethnographers - on the Journey to the Passion Play Jan Mohr Chapter 5. 'Visit Romantic Germany in the Oberammergau Year'. Scenographic Perspectives on the Village and its Passion Play in Travel Adverts Dominic Zerhoch Chapter 6. Quotations of the Passion Play Form. Oberammergau and the Nazi Thingspiele Evelyn Annuß Chapter 7. Volksschauspiel as Trade Mark - The Oberammergau Passion Play as a Paradigm of Imagined Folk Play Toni Bernhart Part III. Layers of Authenticity Chapter 8. 'Jesus-Casting' as a Public Event: Oberammergau's Wilhelm Tell Céline Molter Chapter 9. Let it Grow. The Holy Hair Styles of Oberammergau. Julia Stenzel Part IV. Compliance and Transgression - Literary Imaginations Chapter 10. Work on Myth, Work on the Institution. On Narrating Oberammergau (19th- 21st centuries) Jan Mohr Chapter 11. Constructing and Staging the Figure of Christ in Passion Play Fictions Martin Leutzsch Chapter 12. "What Kind of Man Must this Christ Be?" A Male Body and its Remains, Oberammergau, 1890 Julia Stenzel Chapter 13. Playing With Traditions. A Summary and a Glance at the Passion Play 2022 Jan Mohr, Julia Stenzel Index
Acknowledgements List of Figures Contributor Bios Chapter 1. How to Become a Trademark. An Introduction Jan Mohr, Julia Stenzel Part I. Being a Trademark - Typological and Historical Outlines Chapter 2. Comparing Singularities: The Passion Play and the Papacy Mariano Barbato Chapter 3. Tradition, Authority and Autonomy at the Oberammergau Passion Play, 1860 and 1890 Robert Priest Part II. Assembly, Community, Society - Negotiating the Theatrical Public Sphere Chapter 4. Pilgrims, Tourists and Ethnographers - on the Journey to the Passion Play Jan Mohr Chapter 5. 'Visit Romantic Germany in the Oberammergau Year'. Scenographic Perspectives on the Village and its Passion Play in Travel Adverts Dominic Zerhoch Chapter 6. Quotations of the Passion Play Form. Oberammergau and the Nazi Thingspiele Evelyn Annuß Chapter 7. Volksschauspiel as Trade Mark - The Oberammergau Passion Play as a Paradigm of Imagined Folk Play Toni Bernhart Part III. Layers of Authenticity Chapter 8. 'Jesus-Casting' as a Public Event: Oberammergau's Wilhelm Tell Céline Molter Chapter 9. Let it Grow. The Holy Hair Styles of Oberammergau. Julia Stenzel Part IV. Compliance and Transgression - Literary Imaginations Chapter 10. Work on Myth, Work on the Institution. On Narrating Oberammergau (19th- 21st centuries) Jan Mohr Chapter 11. Constructing and Staging the Figure of Christ in Passion Play Fictions Martin Leutzsch Chapter 12. "What Kind of Man Must this Christ Be?" A Male Body and its Remains, Oberammergau, 1890 Julia Stenzel Chapter 13. Playing With Traditions. A Summary and a Glance at the Passion Play 2022 Jan Mohr, Julia Stenzel Index
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