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From the mid-15th to the late 16th century, the polyphonic mass was considered both in practical and theoretical terms to be the central form of expression of Western art music, within which key compositional developments took place. Around 1500, moreover, there developed a sensitivity for the effective use and functionalisation of polyphonic music in both spiritual and secular ceremonies and rituals. This volume examines the polyphonic mass as an instrument for effective symbolic public communication within liturgical, artificial, denominational and political parameters, taking the style and history of the genre into account.…mehr

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Produktbeschreibung
From the mid-15th to the late 16th century, the polyphonic mass was considered both in practical and theoretical terms to be the central form of expression of Western art music, within which key compositional developments took place. Around 1500, moreover, there developed a sensitivity for the effective use and functionalisation of polyphonic music in both spiritual and secular ceremonies and rituals. This volume examines the polyphonic mass as an instrument for effective symbolic public communication within liturgical, artificial, denominational and political parameters, taking the style and history of the genre into account.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Dr. Andrea Ammendola ist seit 2021 Leiter des Stabsreferats Landesbibliothek an der ULB Münster.

Dr. Daniel Glowotz ist Wissenschaftlicher Mitarbeiter im Teilprojekt »Formen symbolischer Kommunikation in der Messvertonung des 15. bis 17. Jahrhunderts« des Sonderforschungsbereichs »Symbolische Kommunikation und gesellschaftliche Wertesysteme vom Mittelalter bis zur Französischen Revolution« der Universität Münster.