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Adopting artist-poet Joe Brainard as its principal focus, this project presents "Pop poetics" not as a minor, coterie movement meriting a sympathetic footnote in accounts of the postwar era's literary history, but as a missing link that confounds and potentially unites any number of supposedly rigid critical distinctions (authenticity versus formalism, the "personal" versus the mechanical). Pop poetics matter, argues Andrew Fitch, not just to the occasional aficionado of Brainard's I Remember , but to anybody concerned with reconstructing the dynamic aesthetic exchange between postwar art and poetry. …mehr

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Produktbeschreibung
Adopting artist-poet Joe Brainard as its principal focus, this project presents "Pop poetics" not as a minor, coterie movement meriting a sympathetic footnote in accounts of the postwar era's literary history, but as a missing link that confounds and potentially unites any number of supposedly rigid critical distinctions (authenticity versus formalism, the "personal" versus the mechanical). Pop poetics matter, argues Andrew Fitch, not just to the occasional aficionado of Brainard's I Remember, but to anybody concerned with reconstructing the dynamic aesthetic exchange between postwar art and poetry.

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Autorenporträt
Andy Fitch's most recent books are SIXTY MORNING WALKS and SIXTY MORNING TALKS, both published by Ugly Duckling Presse in 2014, Pop Poetics: Reframing Joe Brainard, and his collaboration with Amaranth Borsuk, AS WE KNOW (Subito Press, 2014). His second collaboration with Jon Cotner, following TEN WALKS/TWO TALKS (Ugly Duckling Presse, 2010), CONVERSATIONS OVER STOLEN FOOD, will be published by 1913 Press in 2015. For Letter Machine Editions, he and Cristiana Baik are currently assembling THE LETTER MACHINE BOOK OF INTERVIEWS. Fitch edits The Conversant and Essay Press. He teaches in the University of Wyoming's MFA program.