This book examines the iconic figurations, aesthetic styles and visual tactics in which visual art and visual popular culture attempt to appeal to "all of us," with interdisciplinary contributions from the fields of art history, film and media studies, philosophy, anthropology, and political theory.
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"All chapters of the book amount to an impression of a surprisingly consistent sum of articulations, which do provide new insights into the book's enormously challenging subject matter. Therefore, the book sets up a new benchmark of dealing with the urgently needed sharpening of knowledge and understanding of its topics and problems."
--Visual Studies
--Visual Studies