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Pornography is Simon Stephens' stark and shattering new play that powerfully captures a portrait of a fractured, insecure Britain. Written in reaction to London crashing from the euphoria and promise at being awarded the 2012 Olympics into the chaos and reality of the 7/7 bombings, the play is composed of seven stories that serve as a countdown to the catastrophic attack on London. Each playlet focuses on a different individual dramatising their life in the run-up to the tragedy. Published to coincide with the English language premiere at the Traverse Theatre in August as part of the…mehr
Pornography is Simon Stephens' stark and shattering new play that powerfully captures a portrait of a fractured, insecure Britain.
Written in reaction to London crashing from the euphoria and promise at being awarded the 2012 Olympics into the chaos and reality of the 7/7 bombings, the play is composed of seven stories that serve as a countdown to the catastrophic attack on London. Each playlet focuses on a different individual dramatising their life in the run-up to the tragedy.
Published to coincide with the English language premiere at the Traverse Theatre in August as part of the International Edinburgh Festival before transferring to the Birmingham Rep, this is the first stage play to confront the London bombings of 7 July 2005.
Simon Stephens began his theatrical career in the literary department of the Royal Court Theatre, where he ran its Young Writers' Programme. His plays for theatre include Bluebird (Royal Court Theatre) Herons (Royal Court Theatre, 2001); Port (Royal Exchange Theatre, Manchester, 2002); One Minute (Crucible Theatre, Sheffield, 2003 and Bush Theatre, London, 2004); Christmas (Bush Theatre, 2004); Country Music (Royal Court Theatre Upstairs, 2004); On the Shore of the Wide World (Royal Exchange Theatre and National Theatre, London, 2005); Motortown (Royal Court Theatre Downstairs, 2006); Pornography (Tricycle Theatre, London, 2009); Harper Regan (National Theatre, 2008); Sea Wall (Bush Theatre, 2009); Heaven (Traverse Theatre, 2009); Punk Rock (Lyric Hammersmith, London, 2009); The Trial of Ubu (Essen Schauspielhaus/Toneelgroep Amsterdam, 2010); A Thousand Stars Explode in the Sky (co-written with David Eldridge and Robert Holman; Lyric Hammersmith, London, 2010); Wastwater (Royal Court Theatre Downstairs, 2011); Morning (Lyric Hammersmith, 2012); an adaptation of A Doll's House (Young Vic, 2012); an adaptation of The Curious Incident of the Dog in the Night-Time (National Theatre, 2012); Blindsided (Royal Exchange, 2014); and Birdland (Royal Court, 2014). His radio plays include Five Letters Home to Elizabeth (BBC Radio 4, 2001) and Digging (BBC Radio 4, 2003). Awards include the Pearson Award for Best New Play, 2001, for Port; Olivier Award for Best New Play for On the Shore of the Wide World, 2005; and for Motortown German critics in Theater Heute's annual poll voted him Best Foreign Playwright, 2007. His adaptation of Curious Incident of the Dog in the Night-Time won the 2015 Tony Award for Best Play.
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