Together the six cameramen claimed many "firsts," including the first-ever photograph of soldiers engaged in battle, first exterior shots at night, and first "composition print." The collection-arranged chronologically-allows readers to follow the changes in the landscape during and after the siege. The sheer range of subjects represented is impressive. A cotton gin, a grist mill, and a Methodist church-all showing signs of damage-caught the eyes of photographers. At the request of a Union soldier's mother, there was a photograph taken of his burial site. There is even the only known photograph of a Confederate army surrendering. Biographies of the photographers and the captions in this volume also brim with fresh information about both the photographs and the campaign, attesting to the author's meticulous scholarship and skilled analysis.
Though Port Hudson may never receive the level of attention of Gettysburg or Vicksburg, this well-conceived collection of photographs will make those with a serious interest in the conflict or photography not only reexamine Port Hudson but also the importance of the Civil War's photographic record.
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