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  • Format: ePub

In this dazzling story of art and illusion, secrets and schemes, who is to be trusted - and what is real?
From the internationally acclaimed author of Optic Nerve
*A TLS Book of the Year*
'A writer who feels immediately important' Observer
At a hotel in Buenos Aires, a woman checks in under a pseudonym. She wears a black fur shawl and has no luggage. She is alone.
Over the coming days and nights, she tells a story, which begins with a secret shared in a local bath house, revealing art forgery and fraud on a dazzling scale. At its heart is an enigmatic genius who for
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Produktbeschreibung
In this dazzling story of art and illusion, secrets and schemes, who is to be trusted - and what is real?

From the internationally acclaimed author of Optic Nerve

*A TLS Book of the Year*

'A writer who feels immediately important' Observer

At a hotel in Buenos Aires, a woman checks in under a pseudonym. She wears a black fur shawl and has no luggage. She is alone.

Over the coming days and nights, she tells a story, which begins with a secret shared in a local bath house, revealing art forgery and fraud on a dazzling scale. At its heart is an enigmatic genius who for years forged portraits of the city's elite, before disappearing without trace. It is a story of influence and intrigue, in which nothing is as it seems. We're not to expect 'names, numbers or dates', she cautions, but a more subtle kind of reckoning...

Told in a mordant, irresistible voice and full of sharp surprises, Portrait of an Unknown Lady is a captivating enquiry into what we mean by 'authenticity', in life as in art. At once poised and capricious, elegant and bold, it is a thrilling exploration of the relationships between what is lived, what is told, what is remembered, and what is real.

Translated from the Spanish by Thomas Bunstead


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Autorenporträt
María Gainza was born in Buenos Aires, where she still resides. She has worked as a correspondent for The New York Times in Argentina, as well as for ARTnews. She has also been a contributor to Artforum, The Buenos Aires Review, Radar, the cultural supplement from Argentine newspaper Página/12. She is coeditor of the collection Los Sentidos (The Senses) on Argentinean art, and in 2011 she published Textos elegidos (Selected Texts). Thomas Bunstead has translated some of the leading Spanish-language writers working today, including Bernardo Atxaga, Agustín Fernández Mallo, and Enrique Vila-Matas, and his own writing has appeared in publications such as Brixton Review of Books, Lit Hub, and The White Review. He is currently a Royal Literary Fellow teaching at Aberystwyth University. He was born in London and now lives in Pembrokeshire, Wales.