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Post Sound Design provides a practical introduction to the fascinating craft of editing and replacing dialog, creating Foley and sound effects, editing music, and balancing these elements to a final mix. Based on years of experience and teaching this material to students at Drexel University, award-winning film composer John Avarese offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track. Starting each chapter with a real-life example, the textbook is structured in such a way to create a…mehr
Post Sound Design provides a practical introduction to the fascinating craft of editing and replacing dialog, creating Foley and sound effects, editing music, and balancing these elements to a final mix. Based on years of experience and teaching this material to students at Drexel University, award-winning film composer John Avarese offers user-friendly knowledge and stimulating exercises to help compose story, develop characters and create emotion through skillful creation of the sound track. Starting each chapter with a real-life example, the textbook is structured in such a way to create a fundamental understanding of the physics and the biological foundation of hearing, and putting it into practice with suggested movie scenes demonstrating the discussed audio techniques. Post Sound Design engagingly demonstrates the individual areas essential to creating a soundtrack that will enhance any media production.
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Autorenporträt
John Avarese is an Associate Teaching Professor at Drexel University, USA, teaching Production Sound, Audio Post-Production, and Scoring to Picture. To date, Avarese has composed over 4000 commissioned scores and recorded an elegant collection of film music, as well as mixing and sound design on hundreds of projects, including 27 theatrical feature films, scores of short films, and six surround sound planetarium features.
Inhaltsangabe
Acknowledgements 1: What is Sound Design? 2: DAWs 3: Audio Connectors, Microphones 4: Organizing OMFs (or AAFs) 5: Narration 6: Dialog Editing 7: Equalization and Dynamics 8: ADR 9: Sound Design 10: Editing Music 11: Reverbs & Delays 12: Mixing 13: Deliverables 14: Case Studies Index