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  • Format: ePub

This volume examines new comic book cultures, graphic writing, and bande dessinée texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. Chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in 21st century (con)texts. Authors demonstrate that the field of comic book production and circulation in various regional histories introduce new postcolonial vocabularies. These scripts employ visual grammars, image-texts, and iconic performances that reconstitute conventional "image-functions" in established…mehr

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Produktbeschreibung
This volume examines new comic book cultures, graphic writing, and bande dessinée texts as they relate to postcolonialism in contemporary Anglophone and Francophone settings. Chapters are framed within a larger enquiry that considers definitive aspects of the postcolonial condition in 21st century (con)texts. Authors demonstrate that the field of comic book production and circulation in various regional histories introduce new postcolonial vocabularies. These scripts employ visual grammars, image-texts, and iconic performances that reconstitute conventional "image-functions" in established social texts and political systems, re-envisioning narratives of resistance, rights, and freedoms.


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Autorenporträt
Binita Mehta is Professor of French and Director of the International Studies Program at Manhattanville College, U.S. where she teaches a variety of courses in French language, literature, and film. She is the author of Widows, Pariahs, and 'Bayadères': India as Spectacle (2002) and has published several articles and book chapters on French and Francophone literature and film, South Asian diasporic cinema, and on the Francophone bande dessinée. Pia Mukherji earned her doctorate in English Literature from the Graduate School and University Center of the City University of New York, U.S. Her research and publications are in the areas of British modernism, new-media texts, and diasporic cultures. She has taught a variety of courses on modernism, postcolonial literatures, film studies, and writing in the New York and Boston areas.