Newly adapted for the Anglophone reader, and including a wealth if practical examples, this is an excellent translation of Hans-Thies Lehmann's groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
'This is a provocative, illuminating and stimulating book that will undoubtedly become as essential a text in English theatre scholarship as it already has in continental Europe.' - Marvin Carlson, Theatre Research International
'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations
'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR
'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations
'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR
'This is a provocative, illuminating and stimulating book that will undoubtedly become as essential a text in English theatre scholarship as it already has in continental Europe.' - Marvin Carlson, Theatre Research International
'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations
'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR
'This groundbreaking study [is] an inventive response to the emergence of new technologies.' - International Theatre Informations
'This is an important book, already elbowing its way into the forefront of English-language critical discourse on theatre...' --TDR