This book analyses representations of fatherhood in popular cinema, and theorizes their relationship to postfeminist culture with a view to arguing that postfeminist fatherhood is the new hegemonic masculinity.
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"This book makes a key contribution to contemporary film and media studies, as well as contemporary gender studies, by turning our attention to a particularly prominent trope in filmic representations of masculinity-fatherhood. Because Hamad places these representations within the crucial context of postfeminist culture, recognizing its complex fashioning of gender roles in our historical moment, the book helps us to better understand the appeal and the danger of these powerful discourses." -- Elana Levine, University of Wisconsin-Milwaukee
"This is an important study bringing together a pair of too often neglected subjects, popular contemporary movies outside the critical canon and the representation of masculinity in those movies." -- Mike Chopra-Gant, London Metropolitan University
"This is an important study bringing together a pair of too often neglected subjects, popular contemporary movies outside the critical canon and the representation of masculinity in those movies." -- Mike Chopra-Gant, London Metropolitan University