This book explores the controversial social media practices engaged in by girls and young women, including sexual self-representations on social network sites, sexting, and self-harm vlogs. Informed by feminist media and cultural studies, Dobson delves beyond alarmist accounts to ask what it is we really fear about these practices.
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"This book usefully examines the 'social media practices' and 'digital self-representations' of girls and young women that comes with increasing access to the Internet. ... Dobson's work contributes to a growing body of scholarship that frames girls and women as agentic and empowered individuals, in a postfeminist era. ... provides a head start for research in non-Western contexts, where work on postfeminism and postfeminist digital cultures has been scarce." (Bernice Loh, Eras Journal, Vol. 18 (1), August, 2016)
"Postfeminist digital cultures gives us a deep insight into the complexity of online participation. It offers a nuanced, thoughtful and sympathetic analysis of the girls and young women negotiating postfeminist sensibility, while remaining critical of the cultural conditions of possibility that frame their negotiations. It is a must read for scholars - established and developing - interested in postfeminism, contemporary female subjectivity and digital cultures, while any of the analysis chapters should elicit a great student seminar discussion." (Sarah Riley, Feminism & Psychology, May, 2017)
"Postfeminist digital cultures gives us a deep insight into the complexity of online participation. It offers a nuanced, thoughtful and sympathetic analysis of the girls and young women negotiating postfeminist sensibility, while remaining critical of the cultural conditions of possibility that frame their negotiations. It is a must read for scholars - established and developing - interested in postfeminism, contemporary female subjectivity and digital cultures, while any of the analysis chapters should elicit a great student seminar discussion." (Sarah Riley, Feminism & Psychology, May, 2017)