Postmodern Music/Postmodern Thought (eBook, ePUB)
Redaktion: Lochhead, Judy; Auner, Joseph
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Postmodern Music/Postmodern Thought (eBook, ePUB)
Redaktion: Lochhead, Judy; Auner, Joseph
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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 392
- Erscheinungstermin: 8. Oktober 2013
- Englisch
- ISBN-13: 9781135717858
- Artikelnr.: 39704320
- Verlag: Taylor & Francis
- Seitenzahl: 392
- Erscheinungstermin: 8. Oktober 2013
- Englisch
- ISBN-13: 9781135717858
- Artikelnr.: 39704320
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Joseph Auner is Associate Professor of Music at the State University of New York, Stony Brook and General Editor of Garland's Studies in Contemporary Music and Culture series. Judy Lochhead is Associate Professor of Music at SUNY Stony Brook.
Series' Editor Forward Joseph Auner Section I: Theoretical Foundations and
Debates 1. Introduction Judy Lockhead 2. The Nature and Origins of Musical
Postmodernism Jonathan D. Kramer 3. Reflections of Surrealism in Postmodern
Musics Anne LeBaron 4. Postmodernism and Art Music in the German Debate
Jonathan Tillman 5. Music and Musical Practices in Postmodernity Timothy D.
Taylor 6. Postmodern Architecture/Postmodern Music Jane Piper Clendinning
7. Feminine/Feminist? In Quest of Names with No Experiences (Yet) Martin
Scherzinger Section II: Scaling the High/Low Divide 8. Postmodern Polyamory
or Postcolonial Challenge? Cornershop's Dialogue from West, to East, to
West. Renee Coulombe 9. Production vs. Reception in Postmodernism: The
Gorecki Case Luke Howard 10. Where It's At?: Postmodern Theory and the
Contemporary Musical Field David Brackett Section III. Compositional Voices
11. Music, Postmodernism, and George Rochberg's Third String Quartet Mark
Berry 12 Resistant Strains of Postmodernism: The Music of Helmet Lachenmann
and Brian Ferneyhough Ross Feller 13. Imploding the System: Kagel and the
Deconstruction of Modernism Brian Ferneyhough 14. Collage vs. Compositional
Control: The Interdependency of Modernist and Postmodernist Approaches in
the Work of Mauricio Kagel Bjorn Heile Section IV. Linking the Visual and
Aural Domains 15. Race and Reappropriation: Spike Lee Meets Aaron Copland
Krin Gabbard 16. The Politics of Feminism, Postmodernism, and Rock:
Revisited, with Reference to Parmar's Righteous Babes E. Ann Kaplan 17.
Natural Born Killers: Music and Image in Postmodern Film Jason Henley
Contributors
Debates 1. Introduction Judy Lockhead 2. The Nature and Origins of Musical
Postmodernism Jonathan D. Kramer 3. Reflections of Surrealism in Postmodern
Musics Anne LeBaron 4. Postmodernism and Art Music in the German Debate
Jonathan Tillman 5. Music and Musical Practices in Postmodernity Timothy D.
Taylor 6. Postmodern Architecture/Postmodern Music Jane Piper Clendinning
7. Feminine/Feminist? In Quest of Names with No Experiences (Yet) Martin
Scherzinger Section II: Scaling the High/Low Divide 8. Postmodern Polyamory
or Postcolonial Challenge? Cornershop's Dialogue from West, to East, to
West. Renee Coulombe 9. Production vs. Reception in Postmodernism: The
Gorecki Case Luke Howard 10. Where It's At?: Postmodern Theory and the
Contemporary Musical Field David Brackett Section III. Compositional Voices
11. Music, Postmodernism, and George Rochberg's Third String Quartet Mark
Berry 12 Resistant Strains of Postmodernism: The Music of Helmet Lachenmann
and Brian Ferneyhough Ross Feller 13. Imploding the System: Kagel and the
Deconstruction of Modernism Brian Ferneyhough 14. Collage vs. Compositional
Control: The Interdependency of Modernist and Postmodernist Approaches in
the Work of Mauricio Kagel Bjorn Heile Section IV. Linking the Visual and
Aural Domains 15. Race and Reappropriation: Spike Lee Meets Aaron Copland
Krin Gabbard 16. The Politics of Feminism, Postmodernism, and Rock:
Revisited, with Reference to Parmar's Righteous Babes E. Ann Kaplan 17.
Natural Born Killers: Music and Image in Postmodern Film Jason Henley
Contributors
Series' Editor Forward Joseph Auner Section I: Theoretical Foundations and
Debates 1. Introduction Judy Lockhead 2. The Nature and Origins of Musical
Postmodernism Jonathan D. Kramer 3. Reflections of Surrealism in Postmodern
Musics Anne LeBaron 4. Postmodernism and Art Music in the German Debate
Jonathan Tillman 5. Music and Musical Practices in Postmodernity Timothy D.
Taylor 6. Postmodern Architecture/Postmodern Music Jane Piper Clendinning
7. Feminine/Feminist? In Quest of Names with No Experiences (Yet) Martin
Scherzinger Section II: Scaling the High/Low Divide 8. Postmodern Polyamory
or Postcolonial Challenge? Cornershop's Dialogue from West, to East, to
West. Renee Coulombe 9. Production vs. Reception in Postmodernism: The
Gorecki Case Luke Howard 10. Where It's At?: Postmodern Theory and the
Contemporary Musical Field David Brackett Section III. Compositional Voices
11. Music, Postmodernism, and George Rochberg's Third String Quartet Mark
Berry 12 Resistant Strains of Postmodernism: The Music of Helmet Lachenmann
and Brian Ferneyhough Ross Feller 13. Imploding the System: Kagel and the
Deconstruction of Modernism Brian Ferneyhough 14. Collage vs. Compositional
Control: The Interdependency of Modernist and Postmodernist Approaches in
the Work of Mauricio Kagel Bjorn Heile Section IV. Linking the Visual and
Aural Domains 15. Race and Reappropriation: Spike Lee Meets Aaron Copland
Krin Gabbard 16. The Politics of Feminism, Postmodernism, and Rock:
Revisited, with Reference to Parmar's Righteous Babes E. Ann Kaplan 17.
Natural Born Killers: Music and Image in Postmodern Film Jason Henley
Contributors
Debates 1. Introduction Judy Lockhead 2. The Nature and Origins of Musical
Postmodernism Jonathan D. Kramer 3. Reflections of Surrealism in Postmodern
Musics Anne LeBaron 4. Postmodernism and Art Music in the German Debate
Jonathan Tillman 5. Music and Musical Practices in Postmodernity Timothy D.
Taylor 6. Postmodern Architecture/Postmodern Music Jane Piper Clendinning
7. Feminine/Feminist? In Quest of Names with No Experiences (Yet) Martin
Scherzinger Section II: Scaling the High/Low Divide 8. Postmodern Polyamory
or Postcolonial Challenge? Cornershop's Dialogue from West, to East, to
West. Renee Coulombe 9. Production vs. Reception in Postmodernism: The
Gorecki Case Luke Howard 10. Where It's At?: Postmodern Theory and the
Contemporary Musical Field David Brackett Section III. Compositional Voices
11. Music, Postmodernism, and George Rochberg's Third String Quartet Mark
Berry 12 Resistant Strains of Postmodernism: The Music of Helmet Lachenmann
and Brian Ferneyhough Ross Feller 13. Imploding the System: Kagel and the
Deconstruction of Modernism Brian Ferneyhough 14. Collage vs. Compositional
Control: The Interdependency of Modernist and Postmodernist Approaches in
the Work of Mauricio Kagel Bjorn Heile Section IV. Linking the Visual and
Aural Domains 15. Race and Reappropriation: Spike Lee Meets Aaron Copland
Krin Gabbard 16. The Politics of Feminism, Postmodernism, and Rock:
Revisited, with Reference to Parmar's Righteous Babes E. Ann Kaplan 17.
Natural Born Killers: Music and Image in Postmodern Film Jason Henley
Contributors