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Essay from the year 2019 in the subject Sociology - Individual, Groups, Society, grade: N/A. professional essay, University of Rome "La Sapienza" (CORIS), course: Journalism, Media and English, language: English, abstract: This essay argues that the British music group The Beatles were crucial for influencing our way of life today. The essay does this by discussing how they were responsible in the 60s for much of the spirit and many of the ideas that took place at the start of the postmodern era of the 90s in which we still live in and use today. It also argues that The Beatles' group spirit…mehr

Produktbeschreibung
Essay from the year 2019 in the subject Sociology - Individual, Groups, Society, grade: N/A. professional essay, University of Rome "La Sapienza" (CORIS), course: Journalism, Media and English, language: English, abstract: This essay argues that the British music group The Beatles were crucial for influencing our way of life today. The essay does this by discussing how they were responsible in the 60s for much of the spirit and many of the ideas that took place at the start of the postmodern era of the 90s in which we still live in and use today. It also argues that The Beatles' group spirit helped to cancel the spirit of the individualistic individual in society which had prevailed before the 60s and instead usher in a tribalist culture which much of us live in today.

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Autorenporträt
Cyrus Manasseh is a guitarist, philosopher and musicologist. He teaches in universities and privately as a higher education consultant. Prof. Cyrus Manasseh PhD is also a Freelance Researcher and author of the books 'The Lead Guitarist'; 'The Island Library'; and 'The Problematic of Video Art in the Museum 1968-90'. He is an international scholar and has presented his ideas in a number of countries. He is author of numerous essays and scientific articles in the field of art history, film, music. architecture, video, museums, evolving media and theatre-drama. His published essays and articles include: 'The Words of Gandhi and How the Libertarian Collectivist Anti-individualistic Post-Modern Turn has Shaped our World,' 'Against Roland Barthes. Why Ibsen's "A Doll's House" is Not a Feminist Text, but a Humanist one,' 'Revising Animation Genres: Jan Svankmajer, Tim Burton and James Cameron and the Study of Myth,' 'Cinema and Mass Media in Modernity. Walter Benjamin and the Reproducible Image,' 'The Problem with the Influence of the Moving Image in Society Today, the Alter-Modern and the Disappearance of a Focus on the Internal', The Art Museum in the 19th Century J. J. Winckelmann's Influence on the Establishing of the Classical Paradigm of the Art Museum; Art without the Aesthetic? Defining Conceptual & Post-Conceptual Practices'; 'Art, Language & Machines: Marcel Duchamp, Francis Picabia & Raymond Roussel' and many others. He has presented his research at international academic forums in London, Sydney, Perth, Venice, Prague and Harvard where he was session chair and has lectured and has taught extensively in Italian, Irish and Australian Universities and Colleges. He was a finalist for the International Award for Excellence in the Constructed Environment Journal Writers Award Annual Prize for the academic essay 'An Inquiry into the Design and the Aesthetics of the Venice Biennale Pavilions and Film'. He is particularly focused on the problematic of post-modernism for culture and society. His novels 'The Lead Guitarist' and 'The Island Library' are currently available.