Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time. Recently, however, the country's cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today's Germany. Challenging previous…mehr
Since the fall of the Berlin Wall, there has been a proliferation of German historical films. These productions have earned prestigious awards and succeeded at box offices both at home and abroad, where they count among the most popular German films of all time. Recently, however, the country's cinematic take on history has seen a significant new development: the radical style, content, and politics of the New German Cinema. With in-depth analyses of the major trends and films, this book represents a comprehensive assessment of the historical film in today's Germany. Challenging previous paradigms, it takes account of a postwall cinema that complexly engages with various historiographical forms and, above all, with film history itself.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.
Mattias Frey is a Reader in Film Studies at the University of Kent. His research revolves around historical filmmaking, arthouse cinema cultures, film criticism and theory, as well as German and Austrian media. His books include Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship; The Permanent Crisis of Film Criticism: The Anxiety of Authority; Film Criticism in the Digital Age; and Extreme Cinema: The Transgressive Rhetoric of Today's Art Film Culture.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction Chapter 1. Rebirth of a Nation: Das Wunder von Bern, the 1950s, and the Reactions to the New German Cinema Chapter 2. Pop Retro-vision: Baader, Der Baader Meinhof Komplex, and the RAF Film Chapter 3. The Ambivalent View: 23, Historical Paranoia, and the 1980s Chapter 4. "Ostalgie," Historical Ownership, and Material Authenticity: Good Bye, Lenin! and Das Leben der Anderen Chapter 5. Unification, Spatial Anxiety, and the Recuperation of Material Culture: Die Unberührbare Chapter 6. The Future of the German Past Bibliography Index
List of Illustrations Acknowledgements Introduction Chapter 1. Rebirth of a Nation: Das Wunder von Bern, the 1950s, and the Reactions to the New German Cinema Chapter 2. Pop Retro-vision: Baader, Der Baader Meinhof Komplex, and the RAF Film Chapter 3. The Ambivalent View: 23, Historical Paranoia, and the 1980s Chapter 4. "Ostalgie," Historical Ownership, and Material Authenticity: Good Bye, Lenin! and Das Leben der Anderen Chapter 5. Unification, Spatial Anxiety, and the Recuperation of Material Culture: Die Unberührbare Chapter 6. The Future of the German Past Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497