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  • Format: ePub

'Now we make you ugly,' my mother said. 'The best thing you can be in Mexico is an ugly girl.'
On the mountainside in rural Mexico where Ladydi lives, being a girl is dangerous. Especially a pretty one. If the Narcos hear there is a pretty girl on the mountain, they steal her. So when the black SUVs roll into town, Ladydi and her friends hide in the warren of holes scattered across the mountain, safely out of sight. Because the stolen girls don't come back.
Ladydi is determined to get out, to find a life that offers more than just the struggle to survive. But she soon finds that the
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Produktbeschreibung
'Now we make you ugly,' my mother said. 'The best thing you can be in Mexico is an ugly girl.'

On the mountainside in rural Mexico where Ladydi lives, being a girl is dangerous. Especially a pretty one. If the Narcos hear there is a pretty girl on the mountain, they steal her. So when the black SUVs roll into town, Ladydi and her friends hide in the warren of holes scattered across the mountain, safely out of sight. Because the stolen girls don't come back.

Ladydi is determined to get out, to find a life that offers more than just the struggle to survive. But she soon finds that the drug cartels have eyes everywhere, and the cities are no safer than the mountains.


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Autorenporträt
Jennifer Clement was born in 1960 and has lived in Mexico since 1961. She is a graduate of New York University. She is the author of the memoir Widow Basquiat and two novels: A True Story Based on Lies, longlisted for the Orange Prize and The Poison That Fascinates. She is also the author of several books of poetry, and is co-founder and director of the San Miguel Poetry Week. Jennifer Clement was awarded the National Endowment of the Arts (NEA) Fellowship for Literature 2012. She was also President of PEN Mexico from 2009 to 2012 and is a member of Mexico's prestigious Sistema Nacional de Creadores. She lives in Mexico City.
Rezensionen
The theme of Prayers for the Stolen is the wanton violence inflicted on women and the destruction of communities as a result of the drug trade in Mexico, but Clement's eye for the revealing detail, the simple poetry of her language and the visceral authenticity of her characters turn that deadening reality into a compelling, tragically beautiful novel Yann Martel