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  • Format: ePub

Obscured behind concrete and razor wire, the lives of the incarcerated remain hidden from public view. Inside the walls, imprisoned people all over the world stage theatrical productions that enable them to assert their humanity and capabilities. Prison Theatre and the Global Crisis of Incarceration offers a uniquely international account and exploration of prison theatre. By discussing a range of performance practices tied to incarceration, this book examines the ways in which arts practitioners and imprisoned people use theatre as a means to build communities, attain professional skills,…mehr

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Produktbeschreibung
Obscured behind concrete and razor wire, the lives of the incarcerated remain hidden from public view. Inside the walls, imprisoned people all over the world stage theatrical productions that enable them to assert their humanity and capabilities. Prison Theatre and the Global Crisis of Incarceration offers a uniquely international account and exploration of prison theatre. By discussing a range of performance practices tied to incarceration, this book examines the ways in which arts practitioners and imprisoned people use theatre as a means to build communities, attain professional skills, create social change, and maintain hope. Ashley Lucas's writing offers a distinctive blend of storytelling, performance analysis, travelogue, and personal experience as the child of an incarcerated father.

Distinct examples of theatre performed in prisons are explored throughout the main text and also in a section of Critical Perspectives by international scholars and practitioners.
Autorenporträt
Ashley Lucas is Associate Professor of Theatre and Drama at the University of Michigan, Ann Arbor, and Director of the Prison Creative Arts Project. She and Jodie Lawston co-edited the book Razor Wire Women: Prisoners, Scholars, Artists, and Activists (SUNY Press 2011), and they coauthor a blog by the same name. Lucas also wrote the play Doin' Time: Through the Visiting Glass, which she has performed as a one-woman show since 2004.