Prophetic praises were initially a type of praise that took place according to pre-Islamic methods. The book presented Dalia Al-A'sha, Lamiya Ka'b, and Hassan's poems. Then it talked about the praises that occurred in Ali bin Abi Talib's speeches, and explained how praise of the People of the House arose, and how this art developed in Then he devoted a comprehensive study to Al-Kumayt, who was an outstanding poet who legislated the doctrines of speech for the Shiites and taught them methods of argumentation. He followed that with a chapter on Da'bal, who was a foul-tongued poet, but he left us a ta'iyyah with few analogues and proverbs. He went on to the poems of Al-Sharif Al-Radi on the struggle of Karbala, and the poems of Mahyar on Ahl al-Bayt, giving the reader an opportunity to become acquainted with groups of spiritual tendencies, which few researchers have paid attention to. When he arrived at Al-Busiri, he paused for a long time, and told the reader about the types of magic and temptations he had, then he spoke about the effect of the purdah on the Arabic language, and how the art of praising the Prophet turned into a high literary art, which is the art of badiyyat, which spread various types of culture to the people. Literary. Then he talked about the prophetic praises in the poetry of Ibn Nabatah Al-Masry, and concluded the book by talking about the story of the Prophet's birth.
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