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"Shuangyi Li has produced an engaging, distinctive work of scholarship that makes a welcome addition to Proust studies while also contributing to a range of other fields. It brings a critical assessment of Proust's reception in China into dialogue with theoretical thinking about diaspora, translation, canon-formation, intertextuality, and the transcultural. It is a stimulating read, enriched by the useit makes of existing critical writing on Proust's novel as well as a wider spread of work in translation studies, world and comparative literature, and intertextuality." (Adam Watt, French Studies, March 16, 2019)