This lively collection is a mix of academic and practice-based writing that scrutinises conventional claims on the inclusiveness of public art practice. It advances critical insights of how socially practiced public arts articulate and cultivate geographies of social difference, through the themes of power, affect and diversity. Drawing richly on case studies from the Global North and South, it will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.
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