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  • Format: ePub

This lively collection is a mix of academic and practice-based writing that scrutinises conventional claims on the inclusiveness of public art practice. It advances critical insights of how socially practiced public arts articulate and cultivate geographies of social difference, through the themes of power, affect and diversity. Drawing richly on case studies from the Global North and South, it will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.

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Produktbeschreibung
This lively collection is a mix of academic and practice-based writing that scrutinises conventional claims on the inclusiveness of public art practice. It advances critical insights of how socially practiced public arts articulate and cultivate geographies of social difference, through the themes of power, affect and diversity. Drawing richly on case studies from the Global North and South, it will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.


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Autorenporträt
Martin Zebracki is Lecturer in Critical Human Geography at the University of Leeds, UK. He has written and talked widely at the crossroads of public art, social engagement and (sexual) citizenship. Zebracki is the co-editor of The Everyday Practice of Public Art: Art, Space, and Social Inclusion (with Cameron Cartiere). Joni M. Palmer is an Adjunct Associate Professor in the Department of Geography and Environmental Studies and the Community and Regional Planning Program at the University of New Mexico, USA. Her professional life has covered a blend of practice and academia across arts and cultural planning over the past 25 years.