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"Offering several fresh readings of some now classic works, such as River Elegy (Heshang), Farewell My Concubine (Bawang bieji), and A Beijinger in New York (Beijingren zai Niuyue), as well as more recent manifestations of pop-culture and internet literature,this book is exemplary as a savvy engagement of postructural theory that displays equal facility with current scholarship on Chinese cultural studies published inside China and the West. As such, it is must reading for those interested in the fallout created by the interaction between the authoritarian state and free market economy." - Christopher Lupke, Professor of Chinese and Cinema Studies, Washington State University, USA
"Public Discourses of Contemporary China dynamically illuminatesmass nationalist aesthetics in postsocialist China. Yipeng Shen historicizes and theorizes his compelling analysis of films, television dramas, and literary works with considerable sophistication. His detailed account of complex dynamics conditioning the transition from socialist mass line aesthetics to neoliberal nationalism contributes important scholarship to fields of nationalism and aesthetics, as well as to modern Chinese studies." - Robin Visser, Associate Professor of Chinese, The University of North Carolina at Chapel Hill, USA