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Puppet Wardrobe is a pop-up book, surprise is in its element. In search of the "dateless lively heat" that Shakespeare sourced to Cupid, Daniel Tiffany finds "the infamous promiscuity of things" in broad display. As watchword, you have the poet's "slang for the pink redoubt," the chummy vulgarity beneath prosody's underthings: say hello to the New Flesh.
Puppet Wardrobe is a pop-up book, surprise is in its element. In search of the "dateless lively heat" that Shakespeare sourced to Cupid, Daniel Tiffany finds "the infamous promiscuity of things" in broad display. As watchword, you have the poet's "slang for the pink redoubt," the chummy vulgarity beneath prosody's underthings: say hello to the New Flesh.
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Daniel Tiffany holds a PhD in Comparative Literature from the University of Chicago and has published translations of works by Sophocles, Georges Bataille, and the Italian poet, Cesare Pavese. His critical works include Radio Corpse: Imagism and the Cryptaesthetic of Ezra Pound (Harvard University Press, 1995) and Toy Medium: Materialism and Modern Lyric (University of California Press, 2000), the latter named one of the "Best Books of 2000" by the Los Angeles Times Book Review. His poetry, which has been nominated for a Pushcart Prize, has appeared in many journals, including Tin House, Boston Review, and the Paris Review. He has held residencies at the MacDowell Colony and the Karolyi Foundation in France and been the recipient of a Whiting Fellowship. He lives in Venice, California and teaches at the University of Southern California.
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