Jonathan Keates traces Purcell's development against the turbulent movements of his time - political, religious, theatrical and social. He shows him growing up in the shadow of Westminster Abbey and follows him as a chorister in the Chapel Royal, copying the innovative and colourful style of Matthew Locke; beginning to composer for the theatre, and for State occasions; writing his great settings of sacred music, his chamber sonatas, and his triumphant Dido and Aeneas, the first British opera.
In the background are the heady politics of Restoration England, which expelled the Stuart James II and brought William and Mary to the throne. But almost more important is the rich musical history, the influence of French and Italian composers, blending with and modifying the native tradition. We know and love Purcell through his work; his songs were sung in taverns, his psalms in churches; he was urbane and witty, impassioned and profound.
This engrossing biography is as remarkable for its sensitive critical appreciation of Purcell's music, in all its forms, as it is for its vivid portrait of the man, and the boisterous age in which he lived.
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