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Queen of Sorrows , the third offering in R.R. Morgan's Sons of Rome series, finds Tamara in the lush, Parthian kingdom of Hyrcania, her royal title and birthright reclaimed, and all the riches of the world laid at her feet. Unfortunately, she soon discovers that power and wealth do not guarantee autonomy or happiness.
Betrothed to a prince she's never met, shunned by her forbears, and having lost all knowledge of her native language and ways, Tamara has nothing left to cling to but her all consuming desire for revenge, which she nourishes in secret behind a contented, amiable
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Produktbeschreibung
Queen of Sorrows, the third offering in R.R. Morgan's Sons of Rome series, finds Tamara in the lush, Parthian kingdom of Hyrcania, her royal title and birthright reclaimed, and all the riches of the world laid at her feet. Unfortunately, she soon discovers that power and wealth do not guarantee autonomy or happiness.

Betrothed to a prince she's never met, shunned by her forbears, and having lost all knowledge of her native language and ways, Tamara has nothing left to cling to but her all consuming desire for revenge, which she nourishes in secret behind a contented, amiable facade.

Finally, she has all the power and resources she needs to carry out her sanguinary schemes, but duty and tradition tie her hands, and she must chose to either accept her new existence, or decimate friends and foes alike in order to achieve her ends. Blinded by hate, she'll ignore every warning, every omen, and even her own inner voice, just to get back to the very place she had long hoped to escape: Rome.

The emotional intensity runs high, and the consequences grow increasingly perilous and far-reaching in this third entry, as the former slave girl transforms herself into a skilled killer, diligent scholar, and sexually liberated being. This is R.R. Morgan's brutal, poetic, erotic best. This one, changes everything.


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Autorenporträt
I'm schizophrenic in my literary tastes. I love westerns, historical fiction, contemporary romance, hard-boiled pulp stuff, detective yarns, mystery, even sci-fi and fantasy. I write the way I read: churning out fiction according to whichever genre currently holds my fancy. I care nothing for niche notoriety. Writing in the same genre, the same way, with the same sorts of characters would be, for me, a fate worse than hell. Where's the spice? Where's that rush of diving into completely uncharted territory and doing something new?

I love sex, everything about it, and I weave lusty encounters into nearly every tale I write. Most of us do it, most of us love it, and life would be so much less wonderful without it. Sex. Sex. SEX! I love just writing the word. If that makes me a part of the "erotica" genre (perhaps the clumsiest moniker for such a vast and varied literary pool) then so be it. I'll accept the title, but I don't have to embrace it.

I don't write about sex for money, or for fans, or to live out my own twisted fantasies (although that last bit does have its rewards). I do it because so few writers will. They're too afraid, saddled with an innate fear of being set at the foot of the literary table, or being looked at as a deviant. I don't give a damn. Everything good in life: love, children, family, community, tradition, all have some connection with sex. I celebrate that. I uncover that. I use crude words, I describe taboo acts, and I never hide behind flimsy euphemism. I present sex the way I think it should be: hard, passionate, uninhibited, and always intense. If that's not your cup of tea, well, there's always Harlequin.