This book explores
qupai, melodic models upon which most traditional Chinese instrumental (and some vocal) music is based. It explains
qupai as a musical system, exploring its historic development, structural organization, influence on ensemble and solo repertoires, compositional usage in
Kunqu classical opera, and appearance with other
qupai and non-
qupai tunes in formation of the great suites of North China. This is the first Western-language study on the background of the
qupai tradition, its structural characteristics, and the methods by which melodies have been varied in creation of repertoire. It makes an important contribution to East Asian music, ethnomusicology, and music theory.
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