Through a collective biography of some ninety radical innovators, including Erasmus, Spinoza, Newton, Bach, Sade, Darwin, Melville, Mendel, Cézanne, Curie, Brâncusi, Einstein, Wittgenstein, Keynes, and Goodall, Blok shows how a significant proportion in fact benefited from social exclusion. Beethoven's increasing deafness isolated him from his friends, creating more time for composing and experimenting, while Darwin's chronic illness gave him an excuse to avoid social gatherings and get on with his work.
Adversity took various forms, including illegitimate birth, early parental loss, conflict with parents, bankruptcy, chronic illness, physical deficiencies, neurological and genetic disorders, minority status, peripheral origins, poverty, exile, and detention. Blok argues, however, that all these misfortunes had the same effect: alienation from mainstream society. As outsiders, innovators could question conventional beliefs and practices. With little to lose, they could take chances and exploit opportunities.
With governments, universities and industry all emphasizing the importance of investing in innovation, typically understood to mean planned and focussed research teams, this book runs counter to conventional wisdom. For far more often, radical innovation in science and art is entirely unscripted, resulting from trial and error by individuals ready to take risks, fail, and start again.
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Peter Burke, University of Cambridge
"Anton Blok has solved the riddle of genius. What does it take to become a 'radical innovator' in art or science? Childhood adversity and the attendant social exclusion, early and complete concentration in a chosen field, and a lifelong, total devotion to the self-imposed task. One can only wonder what youthful fate and adult commitment enabled Blok to achieve his radically innovative account of artistic and scientific creativity in this highly readable book."
Abram de Swaan, University of Amsterdam