Tim Crook
Radio Drama (eBook, PDF)
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Tim Crook
Radio Drama (eBook, PDF)
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Radio Drama brings together the practical skills needed for radio drama, such as directing, writing and sound design, with media history and communication theory.
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Radio Drama brings together the practical skills needed for radio drama, such as directing, writing and sound design, with media history and communication theory.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 308
- Erscheinungstermin: 4. Januar 2002
- Englisch
- ISBN-13: 9781134606948
- Artikelnr.: 42641474
- Verlag: Taylor & Francis eBooks
- Seitenzahl: 308
- Erscheinungstermin: 4. Januar 2002
- Englisch
- ISBN-13: 9781134606948
- Artikelnr.: 42641474
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Tim Crook has written, directed and produced a number of international award wining radio plays, series and documentaries. He is the Head of Radio at Goldmsiths College, University of London, and the author of International Radio Journalism.
List of plates
Acknowledgements
Part I: PRACTICE MEETS THEORY
1. A New Media History Perspective through Audio Drama
2. Radio Drama as Modernity
3. The Electrophone or Théâtrophone: broadcasting audio drama before the radio
4. The Six Ages of Audio Drama and the Internet Epoch
5. From Sound Houses to the Phonograph Sound Play
6. A Technological Time-line
7. A Culturalist Approach to Internet Audio Drama
Part II: SOUND THEORY AND PRACTICE
8. Radio Drama is Not a Blind Medium
9. Sound Design Vocabulary
10. The Cinematic and Musical Inspiration
Part III: THE NEW RADIO DRAMA FORM: SKITS AND LIVE IMPROVISATIONS
11. Blurring Fiction with Reality
12. Radio Drama Panics: a cross-cultural phenomenon
13. Moving from Burlesque to Propaganda and News
14. The War of the Worlds Effect: Spoonface Steinberg?
15. Spoonface Steinberg: constructing the Holocaust as a means of identification
Part IV: THE THEORY AND PRACTICE OF WRITING AUDIO DRAMA
16. The Writing Agenda for Audio Drama
17. Creating the Character and Effective Use of Characterisation
18. Writing Dialogue
Part V: CONSTRUCTING THE RADIO DRAMA/DOCUMENTARY FEATURE
19. The Phantom Distinction
20. Making the Documentary Feature
Part VI: THE PRACTICE AND THEORY OF DIRECTING AND PERFORMANCE
21. Directorial Responsibility
22. Managing the Production
23. Experimental Direction and Performance
Notes
Audio drama bibliography
Index
Acknowledgements
Part I: PRACTICE MEETS THEORY
1. A New Media History Perspective through Audio Drama
2. Radio Drama as Modernity
3. The Electrophone or Théâtrophone: broadcasting audio drama before the radio
4. The Six Ages of Audio Drama and the Internet Epoch
5. From Sound Houses to the Phonograph Sound Play
6. A Technological Time-line
7. A Culturalist Approach to Internet Audio Drama
Part II: SOUND THEORY AND PRACTICE
8. Radio Drama is Not a Blind Medium
9. Sound Design Vocabulary
10. The Cinematic and Musical Inspiration
Part III: THE NEW RADIO DRAMA FORM: SKITS AND LIVE IMPROVISATIONS
11. Blurring Fiction with Reality
12. Radio Drama Panics: a cross-cultural phenomenon
13. Moving from Burlesque to Propaganda and News
14. The War of the Worlds Effect: Spoonface Steinberg?
15. Spoonface Steinberg: constructing the Holocaust as a means of identification
Part IV: THE THEORY AND PRACTICE OF WRITING AUDIO DRAMA
16. The Writing Agenda for Audio Drama
17. Creating the Character and Effective Use of Characterisation
18. Writing Dialogue
Part V: CONSTRUCTING THE RADIO DRAMA/DOCUMENTARY FEATURE
19. The Phantom Distinction
20. Making the Documentary Feature
Part VI: THE PRACTICE AND THEORY OF DIRECTING AND PERFORMANCE
21. Directorial Responsibility
22. Managing the Production
23. Experimental Direction and Performance
Notes
Audio drama bibliography
Index
List of plates
Acknowledgements
Part I: PRACTICE MEETS THEORY
1. A New Media History Perspective through Audio Drama
2. Radio Drama as Modernity
3. The Electrophone or Théâtrophone: broadcasting audio drama before the radio
4. The Six Ages of Audio Drama and the Internet Epoch
5. From Sound Houses to the Phonograph Sound Play
6. A Technological Time-line
7. A Culturalist Approach to Internet Audio Drama
Part II: SOUND THEORY AND PRACTICE
8. Radio Drama is Not a Blind Medium
9. Sound Design Vocabulary
10. The Cinematic and Musical Inspiration
Part III: THE NEW RADIO DRAMA FORM: SKITS AND LIVE IMPROVISATIONS
11. Blurring Fiction with Reality
12. Radio Drama Panics: a cross-cultural phenomenon
13. Moving from Burlesque to Propaganda and News
14. The War of the Worlds Effect: Spoonface Steinberg?
15. Spoonface Steinberg: constructing the Holocaust as a means of identification
Part IV: THE THEORY AND PRACTICE OF WRITING AUDIO DRAMA
16. The Writing Agenda for Audio Drama
17. Creating the Character and Effective Use of Characterisation
18. Writing Dialogue
Part V: CONSTRUCTING THE RADIO DRAMA/DOCUMENTARY FEATURE
19. The Phantom Distinction
20. Making the Documentary Feature
Part VI: THE PRACTICE AND THEORY OF DIRECTING AND PERFORMANCE
21. Directorial Responsibility
22. Managing the Production
23. Experimental Direction and Performance
Notes
Audio drama bibliography
Index
Acknowledgements
Part I: PRACTICE MEETS THEORY
1. A New Media History Perspective through Audio Drama
2. Radio Drama as Modernity
3. The Electrophone or Théâtrophone: broadcasting audio drama before the radio
4. The Six Ages of Audio Drama and the Internet Epoch
5. From Sound Houses to the Phonograph Sound Play
6. A Technological Time-line
7. A Culturalist Approach to Internet Audio Drama
Part II: SOUND THEORY AND PRACTICE
8. Radio Drama is Not a Blind Medium
9. Sound Design Vocabulary
10. The Cinematic and Musical Inspiration
Part III: THE NEW RADIO DRAMA FORM: SKITS AND LIVE IMPROVISATIONS
11. Blurring Fiction with Reality
12. Radio Drama Panics: a cross-cultural phenomenon
13. Moving from Burlesque to Propaganda and News
14. The War of the Worlds Effect: Spoonface Steinberg?
15. Spoonface Steinberg: constructing the Holocaust as a means of identification
Part IV: THE THEORY AND PRACTICE OF WRITING AUDIO DRAMA
16. The Writing Agenda for Audio Drama
17. Creating the Character and Effective Use of Characterisation
18. Writing Dialogue
Part V: CONSTRUCTING THE RADIO DRAMA/DOCUMENTARY FEATURE
19. The Phantom Distinction
20. Making the Documentary Feature
Part VI: THE PRACTICE AND THEORY OF DIRECTING AND PERFORMANCE
21. Directorial Responsibility
22. Managing the Production
23. Experimental Direction and Performance
Notes
Audio drama bibliography
Index