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Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles.
Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles.
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Autorenporträt
Elizabeth Edwards is Professor and Senior Research Fellow, University of the Arts London.
Inhaltsangabe
Introduction: Observations from the Coal-Face Part I: Notes from the Archive 2 Exchanging Photographs, Making Archives 3 Photographing Objects Part II: Historical Inscriptions 4 Visualising History: Diamond Jenness's Photographs of the D'Entrecasteaux Islands, Massim, 1912, 5 Time and Space on the Quarter Deck: Two Samoan Photographs by Captain W. Acland 6 Professor Huxley's 'Well-considered Plan' 7 Re-enactment, Salvage Ethnography and Photography in the Torres Strait Part III: Reworkings 8 Rethinking Photography in the Ethnographic Museum 9 ]orma Puranen -Imaginary Homecoming-A Study in Re-engagement
Introduction: Observations from the Coal-Face Part I: Notes from the Archive 2 Exchanging Photographs, Making Archives 3 Photographing Objects Part II: Historical Inscriptions 4 Visualising History: Diamond Jenness's Photographs of the D'Entrecasteaux Islands, Massim, 1912, 5 Time and Space on the Quarter Deck: Two Samoan Photographs by Captain W. Acland 6 Professor Huxley's 'Well-considered Plan' 7 Re-enactment, Salvage Ethnography and Photography in the Torres Strait Part III: Reworkings 8 Rethinking Photography in the Ethnographic Museum 9 ]orma Puranen -Imaginary Homecoming-A Study in Re-engagement
Introduction: Observations from the Coal-Face Part I: Notes from the Archive 2 Exchanging Photographs, Making Archives 3 Photographing Objects Part II: Historical Inscriptions 4 Visualising History: Diamond Jenness's Photographs of the D'Entrecasteaux Islands, Massim, 1912, 5 Time and Space on the Quarter Deck: Two Samoan Photographs by Captain W. Acland 6 Professor Huxley's 'Well-considered Plan' 7 Re-enactment, Salvage Ethnography and Photography in the Torres Strait Part III: Reworkings 8 Rethinking Photography in the Ethnographic Museum 9 ]orma Puranen -Imaginary Homecoming-A Study in Re-engagement
Introduction: Observations from the Coal-Face Part I: Notes from the Archive 2 Exchanging Photographs, Making Archives 3 Photographing Objects Part II: Historical Inscriptions 4 Visualising History: Diamond Jenness's Photographs of the D'Entrecasteaux Islands, Massim, 1912, 5 Time and Space on the Quarter Deck: Two Samoan Photographs by Captain W. Acland 6 Professor Huxley's 'Well-considered Plan' 7 Re-enactment, Salvage Ethnography and Photography in the Torres Strait Part III: Reworkings 8 Rethinking Photography in the Ethnographic Museum 9 ]orma Puranen -Imaginary Homecoming-A Study in Re-engagement
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