Daniel Tong
Re-Reading the Beethoven Violin Sonatas (eBook, ePUB)
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Re-Reading the Beethoven Violin Sonatas (eBook, ePUB)
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New readings of the ten Beethoven sonatas for piano and violin, embracing both the performer's interpretation and the analyst's rigour.
- Geräte: eReader
- mit Kopierschutz
- eBook Hilfe
- Größe: 35.28MB
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New readings of the ten Beethoven sonatas for piano and violin, embracing both the performer's interpretation and the analyst's rigour.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Abingdon Press
- Seitenzahl: 304
- Erscheinungstermin: 8. April 2025
- Englisch
- ISBN-13: 9781805435747
- Artikelnr.: 73632393
- Verlag: Abingdon Press
- Seitenzahl: 304
- Erscheinungstermin: 8. April 2025
- Englisch
- ISBN-13: 9781805435747
- Artikelnr.: 73632393
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
DANIEL TONG is a pianist who performs, records and teaches. He is Head of Piano in Chamber Music at the Royal Birmingham Conservatoire and Head of Performance at the Junior Department of the Royal Academy of Music.
List of figures Acknowledgements Introduction The performer-analyst Music
revealed in time 1. The Op. 12 Sonatas: Humour and Innovation Sonata in D,
Op. 12 No. 1. Allegro Performing an analysis 'Final' presentation of
reading Op. 12 No. 1, variations Op. 12 No. 1, finale Sonata in E¿, Op. 12
No. 3. A piano concerto in the making Adagio con molta espressione Allegro
molto 2. A Case study in the comic: Sonata in A, Op. 12 No. 2 Meaning and
authenticity A laughing Beethoven? Is wit comedy? Is comedy funny? Notions
of humour and comedy The contemporary pianist-comedian The comic within Op.
12 No. 2 Mapping the 'material' trace A final reading of the opening
Allegro Vivace from Beethoven's Op. 12 No. 2 Opera Buffa and the Andante
from Op. 12 No. 2 3. Separated at Birth. Sibling Sonatas: Opp. 23 and 24
Op. 23: The Black Sheep of the Family Beethoven, 'the most virile of all
musicians' 'Gender Trouble' in Op. 23 Op. 23, Allegro Molto. An anti-finale
Opp. 23 and 24: A single opus? Coda 4. Man and artist. The Op. 30 Sonatas
1802: Anxiety and the Heiligenstadt Testament Disability in music 'Middle
period' Beethoven Sonata in A Major, Op. 30 No. 1. Late music from a young
man A Narrative of disability lived The Original finale: Disability
overcome Sonata in C Minor, Op. 30 No. 2. Revolutionary fever and despair
Sonata in G, Op. 30 No. 3. Visionary escapism 5. Sonata in A (Minor?), Op.
47 A hybrid sonata In the style of a concerto? Presto. Brilliance and
bravado 'The commonplace variations' 6. Sonata in G, Op. 96. Fantasy and
arabesque Divining the messages within the score Pierre Rode, Archduke
Rudolph and the Immortal Beloved Signs, games and messages A correspondence
through the score A poet's love Romanticism, Schlegel and the arabesque The
allure of late style Afterword Select Bibliography
revealed in time 1. The Op. 12 Sonatas: Humour and Innovation Sonata in D,
Op. 12 No. 1. Allegro Performing an analysis 'Final' presentation of
reading Op. 12 No. 1, variations Op. 12 No. 1, finale Sonata in E¿, Op. 12
No. 3. A piano concerto in the making Adagio con molta espressione Allegro
molto 2. A Case study in the comic: Sonata in A, Op. 12 No. 2 Meaning and
authenticity A laughing Beethoven? Is wit comedy? Is comedy funny? Notions
of humour and comedy The contemporary pianist-comedian The comic within Op.
12 No. 2 Mapping the 'material' trace A final reading of the opening
Allegro Vivace from Beethoven's Op. 12 No. 2 Opera Buffa and the Andante
from Op. 12 No. 2 3. Separated at Birth. Sibling Sonatas: Opp. 23 and 24
Op. 23: The Black Sheep of the Family Beethoven, 'the most virile of all
musicians' 'Gender Trouble' in Op. 23 Op. 23, Allegro Molto. An anti-finale
Opp. 23 and 24: A single opus? Coda 4. Man and artist. The Op. 30 Sonatas
1802: Anxiety and the Heiligenstadt Testament Disability in music 'Middle
period' Beethoven Sonata in A Major, Op. 30 No. 1. Late music from a young
man A Narrative of disability lived The Original finale: Disability
overcome Sonata in C Minor, Op. 30 No. 2. Revolutionary fever and despair
Sonata in G, Op. 30 No. 3. Visionary escapism 5. Sonata in A (Minor?), Op.
47 A hybrid sonata In the style of a concerto? Presto. Brilliance and
bravado 'The commonplace variations' 6. Sonata in G, Op. 96. Fantasy and
arabesque Divining the messages within the score Pierre Rode, Archduke
Rudolph and the Immortal Beloved Signs, games and messages A correspondence
through the score A poet's love Romanticism, Schlegel and the arabesque The
allure of late style Afterword Select Bibliography
List of figures Acknowledgements Introduction The performer-analyst Music
revealed in time 1. The Op. 12 Sonatas: Humour and Innovation Sonata in D,
Op. 12 No. 1. Allegro Performing an analysis 'Final' presentation of
reading Op. 12 No. 1, variations Op. 12 No. 1, finale Sonata in E¿, Op. 12
No. 3. A piano concerto in the making Adagio con molta espressione Allegro
molto 2. A Case study in the comic: Sonata in A, Op. 12 No. 2 Meaning and
authenticity A laughing Beethoven? Is wit comedy? Is comedy funny? Notions
of humour and comedy The contemporary pianist-comedian The comic within Op.
12 No. 2 Mapping the 'material' trace A final reading of the opening
Allegro Vivace from Beethoven's Op. 12 No. 2 Opera Buffa and the Andante
from Op. 12 No. 2 3. Separated at Birth. Sibling Sonatas: Opp. 23 and 24
Op. 23: The Black Sheep of the Family Beethoven, 'the most virile of all
musicians' 'Gender Trouble' in Op. 23 Op. 23, Allegro Molto. An anti-finale
Opp. 23 and 24: A single opus? Coda 4. Man and artist. The Op. 30 Sonatas
1802: Anxiety and the Heiligenstadt Testament Disability in music 'Middle
period' Beethoven Sonata in A Major, Op. 30 No. 1. Late music from a young
man A Narrative of disability lived The Original finale: Disability
overcome Sonata in C Minor, Op. 30 No. 2. Revolutionary fever and despair
Sonata in G, Op. 30 No. 3. Visionary escapism 5. Sonata in A (Minor?), Op.
47 A hybrid sonata In the style of a concerto? Presto. Brilliance and
bravado 'The commonplace variations' 6. Sonata in G, Op. 96. Fantasy and
arabesque Divining the messages within the score Pierre Rode, Archduke
Rudolph and the Immortal Beloved Signs, games and messages A correspondence
through the score A poet's love Romanticism, Schlegel and the arabesque The
allure of late style Afterword Select Bibliography
revealed in time 1. The Op. 12 Sonatas: Humour and Innovation Sonata in D,
Op. 12 No. 1. Allegro Performing an analysis 'Final' presentation of
reading Op. 12 No. 1, variations Op. 12 No. 1, finale Sonata in E¿, Op. 12
No. 3. A piano concerto in the making Adagio con molta espressione Allegro
molto 2. A Case study in the comic: Sonata in A, Op. 12 No. 2 Meaning and
authenticity A laughing Beethoven? Is wit comedy? Is comedy funny? Notions
of humour and comedy The contemporary pianist-comedian The comic within Op.
12 No. 2 Mapping the 'material' trace A final reading of the opening
Allegro Vivace from Beethoven's Op. 12 No. 2 Opera Buffa and the Andante
from Op. 12 No. 2 3. Separated at Birth. Sibling Sonatas: Opp. 23 and 24
Op. 23: The Black Sheep of the Family Beethoven, 'the most virile of all
musicians' 'Gender Trouble' in Op. 23 Op. 23, Allegro Molto. An anti-finale
Opp. 23 and 24: A single opus? Coda 4. Man and artist. The Op. 30 Sonatas
1802: Anxiety and the Heiligenstadt Testament Disability in music 'Middle
period' Beethoven Sonata in A Major, Op. 30 No. 1. Late music from a young
man A Narrative of disability lived The Original finale: Disability
overcome Sonata in C Minor, Op. 30 No. 2. Revolutionary fever and despair
Sonata in G, Op. 30 No. 3. Visionary escapism 5. Sonata in A (Minor?), Op.
47 A hybrid sonata In the style of a concerto? Presto. Brilliance and
bravado 'The commonplace variations' 6. Sonata in G, Op. 96. Fantasy and
arabesque Divining the messages within the score Pierre Rode, Archduke
Rudolph and the Immortal Beloved Signs, games and messages A correspondence
through the score A poet's love Romanticism, Schlegel and the arabesque The
allure of late style Afterword Select Bibliography