- Kate Flint, Provost Professor of Art History and English, University of Southern California, USA
'Rather than ask the old questions, 'what is a book' or 'what is a print', Stead and her collaborators want to know: what has been the use of this text-bearing object? What does it do? Applying those queries to all manner of media - made, found, used, and re-purposed - this new approach dissolves (and complicates) the distinction between the material and textual aspects of what we read, and encourages methodologies that cross the boundaries of discipline.'
- LeslieHowsam, Emerita Distinguished University Professor, University of Windsor, Canada
This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward.
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"Evanghelia Stead's Reading Books and Prints as Cultural Objects will be welcomed by Book Studies scholars for its modeling of a material approach to reading that crosses chronologies, geographies, and media. A truly interdisciplinary collection, there is much here to provoke, challenge, and inspire future studies." (Lorraine Janzen Kooistra, Quaerendo, Vol. 49, 2019)
"It offers a stimulating interdisciplinary perspective on the function of books and prints, spanning a broad period from medieval manuscript to digital work. ... Reading Books and Prints as Cultural Objects is a very rich and insightful interdisciplinary approach." (Fabienne Gaspari, Interfaces, Vol. 42, 2019)