Reading Contemporary Performance (eBook, ePUB)

Theatricality Across Genres
Redaktion: Cody, Gabrielle; Cheng, Meiling

• Format: ePub

Produktbeschreibung

This book will be an invaluable guide to anyone approaching the many and varied ways of discussing performance in all of it forms - from theatrical and site-specific performances to live and New Media art. The many-headed nature of contemporary performance is requiring an increasingly diverse and sophisticated vocabulary from its students. The aim of this book is not only to provide a solid set of familiarities, but also to explore and contextualise the key terms that are central to any discussion of performance.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 346
• Erscheinungstermin: 25. September 2015
• Englisch
• ISBN-13: 9781136246562
• Artikelnr.: 47894186

Autorenporträt

Meiling Cheng is Associate Professor of Dramatic Arts/Critical Studies and English at the University of Southern California and Director of Critical Studies at USC School of Dramatic Arts.¿ Gabrielle H. Cody is Mary Riepma Ross Professor and Chair of Drama at Vassar College where she has taught since 1992. She concentrates her areas of teaching in performance studies, environmental studies, and material performance projects.

Inhaltsangabe

Part 1: Performance Editorial Introduction Section 1: Time Archive
Historiography Historicity Inscription Liminality Memory
Narrative/narratology Reenactment Remains Reproduction Syncopation Trace
Quotation Endurance art Section 2: Space Discipline Environmental Theater
Found/artificial space Hypocritical/fake space Hierarchy Landscape Theater
Mise en scene Paratheater Performative Photography Prison Culture Proxemics
Scenography Site Specific Performance Surveillance Virtual Performance
Section 3: Action Appropriation Art Choreography Collaboration Cybernetics
Dance Event Experimental Music Hybridity Liveness Matrixed/non-matrixed
Mediation Media Mimesis Mimicry New Genre Public Art Negative Mimesis
Performatics Play Post-linearity Propaganda Repertoire Simulacra War
Section 4: Performer Actor Affect Alterity Animalworks Camp Circus Devising
Digital Performance Docudrama Double-coding Drag Embodiment Emotions Ethnic
Drag Explicit Body performance Extreme Performance Gender Gestus
Glossolalia Parody Pornograpy Obscenity Restored Behavior Rhetoric Roles
Subject Position Section 5:Audience Communitas Emotional Contagion Empathy
Frame/Framing Gaze Invisible Theater Prosthetic Performance (including
Critical Subjectivity and Documentation) Reception Theory Spectator Part 2:
Methodologies and Turning Points Introduction Animal Studies Anti-Art
Auteur Theater Body Art Ecological Theater Epic Theater Feminisms Fluxus
Globalization/Glocalization Happenings Identity Politics
Identification/dis-identification Intercultural Performance Intermediality
Marxism Minimalism Modernism Montage Multicentricity Performance Art/Live
Art Performance Studies Phenomenology Postcolonial/Subaltern Studies
Postmodernism Post-Porn Modernism Robotics and information Art
Semiotics/semiology Terrorism and Performance/Theater of Cruelty
Transnationalism Race Whiteness