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In Readings of Trauma, Madness, and the Body, Anderson explores how Modernist fiction narratives by Hemingway, the Fitzgeralds, and H.D. represent trauma, specifically addressing the conflict between speaking about and repressing traumatic memories, while also considering how authors' understandings of gender influence their depictions.
In Readings of Trauma, Madness, and the Body, Anderson explores how Modernist fiction narratives by Hemingway, the Fitzgeralds, and H.D. represent trauma, specifically addressing the conflict between speaking about and repressing traumatic memories, while also considering how authors' understandings of gender influence their depictions.
Sarah Wood Anderson is an associate lecturer in the department of English at University of Wisconsin-Madison.
Inhaltsangabe
PART I Trauma Theory Readings of Resistance in Hemingway's Trauma Fiction Domestic Trauma in H.D.'s HERmione PART II Madness in Modern Literature Readings of Gender and Madness in Hemingway's Across the River and Into the Trees and The Garden of Eden Infidelity and Madness in Fitzgerald's Tender is the Night Production of the Body and Omission of Madness in Zelda Fitzgerald's Save Me the Waltz Creating a Language of Rebellion Madness in H.D.'s HERmione Conclusion
PART I Trauma Theory Readings of Resistance in Hemingway's Trauma Fiction Domestic Trauma in H.D.'s HERmione PART II Madness in Modern Literature Readings of Gender and Madness in Hemingway's Across the River and Into the Trees and The Garden of Eden Infidelity and Madness in Fitzgerald's Tender is the Night Production of the Body and Omission of Madness in Zelda Fitzgerald's Save Me the Waltz Creating a Language of Rebellion Madness in H.D.'s HERmione Conclusion
PART I Trauma Theory Readings of Resistance in Hemingway's Trauma Fiction Domestic Trauma in H.D.'s HERmione PART II Madness in Modern Literature Readings of Gender and Madness in Hemingway's Across the River and Into the Trees and The Garden of Eden Infidelity and Madness in Fitzgerald's Tender is the Night Production of the Body and Omission of Madness in Zelda Fitzgerald's Save Me the Waltz Creating a Language of Rebellion Madness in H.D.'s HERmione Conclusion
PART I Trauma Theory Readings of Resistance in Hemingway's Trauma Fiction Domestic Trauma in H.D.'s HERmione PART II Madness in Modern Literature Readings of Gender and Madness in Hemingway's Across the River and Into the Trees and The Garden of Eden Infidelity and Madness in Fitzgerald's Tender is the Night Production of the Body and Omission of Madness in Zelda Fitzgerald's Save Me the Waltz Creating a Language of Rebellion Madness in H.D.'s HERmione Conclusion
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