Reasons for Realism (eBook, PDF)
Selected Essays of James J. Gibson
Redaktion: Reed, Edward; Jones, Rebecca
35,95 €
35,95 €
inkl. MwSt.
Sofort per Download lieferbar
18 °P sammeln
35,95 €
Als Download kaufen
35,95 €
inkl. MwSt.
Sofort per Download lieferbar
18 °P sammeln
Jetzt verschenken
Alle Infos zum eBook verschenken
35,95 €
inkl. MwSt.
Sofort per Download lieferbar
Alle Infos zum eBook verschenken
18 °P sammeln
Reasons for Realism (eBook, PDF)
Selected Essays of James J. Gibson
Redaktion: Reed, Edward; Jones, Rebecca
- Format: PDF
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei
bücher.de, um das eBook-Abo tolino select nutzen zu können.
Hier können Sie sich einloggen
Hier können Sie sich einloggen
Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
First published in 1982, this is a collection of the most important of James J. Gibson's essays on the psychology of perception. The editors have selected over 30 works dealing with topics as ecological optics, event perception, pictorial representation, and the conceptual foundations of psychology.
- Geräte: PC
- ohne Kopierschutz
- eBook Hilfe
- Größe: 39.68MB
First published in 1982, this is a collection of the most important of James J. Gibson's essays on the psychology of perception. The editors have selected over 30 works dealing with topics as ecological optics, event perception, pictorial representation, and the conceptual foundations of psychology.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 478
- Erscheinungstermin: 16. Dezember 2019
- Englisch
- ISBN-13: 9781000734416
- Artikelnr.: 58417289
- Verlag: Taylor & Francis
- Seitenzahl: 478
- Erscheinungstermin: 16. Dezember 2019
- Englisch
- ISBN-13: 9781000734416
- Artikelnr.: 58417289
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Edward Reed.
Foreword Eleanor J. Gibson. Acknowledgements. General Introduction Edward
Reed and Rebecca Jones. James J. Gibson: Autobiography. Part 1: Foundations
of Ecological Optics Edward Reed and Rebecca Jones. 1.1 Perception and
Judgement of Aerial Space and Distance as Potential Factors in Pilot
Selection and Training 1.2 Optical Motions and Transformations as Stimuli
for Visual Perception 1.3 The Information Contained in Light 1.4 Ecological
Optics 1.5 On Theories for Visual Space Perception 1.6 A History of the
Ideas Behind Ecological Optics: Introductory Remarks at the Workshop on
Ecological Optics 1.7 On the Analysis of Change in the Optic Array 1.8 What
is Involved in Surface Perception? Part 2: Movement and Motion: The
Perception of Action and Events Edward Reed and Rebecca Jones 2.1 A
Theoretical Field-Analysis of Automobile-Driving 2.2 The Ability to Judge
Distance and Space in Terms of the Retinal Motion Cue 2.3 Visually
Controlled Locomotion and Visual Orientation in Animals 2.4 The Uses of
Proprioception and the Detection of Propriospecific Information 2.5 The
Problem of Temporal Order in Stimulation and Perception 2.6 What Gives Rise
to the Perception of Motion? 2.7 The Change from Visible to Invisible: A
Study of Optical Transitions 2.8 The Problem of Event Perception 2.9
Ecological Physics, Magic, and Reality Part 3: The Perception of Pictures
Edward Reed and Rebecca Jones 3.1 Pictures as Substitutes for Visual
Realities 3.2 A Theory of Pictorial Perception 3.3 Pictures, Perspective,
and Perception 3.4 The Information Available in Pictures 3.5 On the Concept
of "Formless Invariants" in Visual Perception 3.6 Notes on Direct
Perception and Indirect Apprehension Part 4: Implications of Ecological
Realism Edward Reed and Rebecca Jones 4.1 What is a Form? 4.2 Perceptual
Learning: Differentiation or Enrichment? 4.3 The Concept of the Stimulus in
Psychology 4.4 The Useful Dimensions of Sensitivity 4.5 New Reasons for
Realism 4.6 Notes on Action 4.7 On the New Idea of Persistence and Change
and the Old Ideas that it Drives Out 4.8 The Myth of Passive Perception: A
Reply to Richards 4.9 Notes on Affordances. References. Complete
Bibliography of James J. Gibson. Author Index. Subject Index.
Reed and Rebecca Jones. James J. Gibson: Autobiography. Part 1: Foundations
of Ecological Optics Edward Reed and Rebecca Jones. 1.1 Perception and
Judgement of Aerial Space and Distance as Potential Factors in Pilot
Selection and Training 1.2 Optical Motions and Transformations as Stimuli
for Visual Perception 1.3 The Information Contained in Light 1.4 Ecological
Optics 1.5 On Theories for Visual Space Perception 1.6 A History of the
Ideas Behind Ecological Optics: Introductory Remarks at the Workshop on
Ecological Optics 1.7 On the Analysis of Change in the Optic Array 1.8 What
is Involved in Surface Perception? Part 2: Movement and Motion: The
Perception of Action and Events Edward Reed and Rebecca Jones 2.1 A
Theoretical Field-Analysis of Automobile-Driving 2.2 The Ability to Judge
Distance and Space in Terms of the Retinal Motion Cue 2.3 Visually
Controlled Locomotion and Visual Orientation in Animals 2.4 The Uses of
Proprioception and the Detection of Propriospecific Information 2.5 The
Problem of Temporal Order in Stimulation and Perception 2.6 What Gives Rise
to the Perception of Motion? 2.7 The Change from Visible to Invisible: A
Study of Optical Transitions 2.8 The Problem of Event Perception 2.9
Ecological Physics, Magic, and Reality Part 3: The Perception of Pictures
Edward Reed and Rebecca Jones 3.1 Pictures as Substitutes for Visual
Realities 3.2 A Theory of Pictorial Perception 3.3 Pictures, Perspective,
and Perception 3.4 The Information Available in Pictures 3.5 On the Concept
of "Formless Invariants" in Visual Perception 3.6 Notes on Direct
Perception and Indirect Apprehension Part 4: Implications of Ecological
Realism Edward Reed and Rebecca Jones 4.1 What is a Form? 4.2 Perceptual
Learning: Differentiation or Enrichment? 4.3 The Concept of the Stimulus in
Psychology 4.4 The Useful Dimensions of Sensitivity 4.5 New Reasons for
Realism 4.6 Notes on Action 4.7 On the New Idea of Persistence and Change
and the Old Ideas that it Drives Out 4.8 The Myth of Passive Perception: A
Reply to Richards 4.9 Notes on Affordances. References. Complete
Bibliography of James J. Gibson. Author Index. Subject Index.
Foreword Eleanor J. Gibson. Acknowledgements. General Introduction Edward
Reed and Rebecca Jones. James J. Gibson: Autobiography. Part 1: Foundations
of Ecological Optics Edward Reed and Rebecca Jones. 1.1 Perception and
Judgement of Aerial Space and Distance as Potential Factors in Pilot
Selection and Training 1.2 Optical Motions and Transformations as Stimuli
for Visual Perception 1.3 The Information Contained in Light 1.4 Ecological
Optics 1.5 On Theories for Visual Space Perception 1.6 A History of the
Ideas Behind Ecological Optics: Introductory Remarks at the Workshop on
Ecological Optics 1.7 On the Analysis of Change in the Optic Array 1.8 What
is Involved in Surface Perception? Part 2: Movement and Motion: The
Perception of Action and Events Edward Reed and Rebecca Jones 2.1 A
Theoretical Field-Analysis of Automobile-Driving 2.2 The Ability to Judge
Distance and Space in Terms of the Retinal Motion Cue 2.3 Visually
Controlled Locomotion and Visual Orientation in Animals 2.4 The Uses of
Proprioception and the Detection of Propriospecific Information 2.5 The
Problem of Temporal Order in Stimulation and Perception 2.6 What Gives Rise
to the Perception of Motion? 2.7 The Change from Visible to Invisible: A
Study of Optical Transitions 2.8 The Problem of Event Perception 2.9
Ecological Physics, Magic, and Reality Part 3: The Perception of Pictures
Edward Reed and Rebecca Jones 3.1 Pictures as Substitutes for Visual
Realities 3.2 A Theory of Pictorial Perception 3.3 Pictures, Perspective,
and Perception 3.4 The Information Available in Pictures 3.5 On the Concept
of "Formless Invariants" in Visual Perception 3.6 Notes on Direct
Perception and Indirect Apprehension Part 4: Implications of Ecological
Realism Edward Reed and Rebecca Jones 4.1 What is a Form? 4.2 Perceptual
Learning: Differentiation or Enrichment? 4.3 The Concept of the Stimulus in
Psychology 4.4 The Useful Dimensions of Sensitivity 4.5 New Reasons for
Realism 4.6 Notes on Action 4.7 On the New Idea of Persistence and Change
and the Old Ideas that it Drives Out 4.8 The Myth of Passive Perception: A
Reply to Richards 4.9 Notes on Affordances. References. Complete
Bibliography of James J. Gibson. Author Index. Subject Index.
Reed and Rebecca Jones. James J. Gibson: Autobiography. Part 1: Foundations
of Ecological Optics Edward Reed and Rebecca Jones. 1.1 Perception and
Judgement of Aerial Space and Distance as Potential Factors in Pilot
Selection and Training 1.2 Optical Motions and Transformations as Stimuli
for Visual Perception 1.3 The Information Contained in Light 1.4 Ecological
Optics 1.5 On Theories for Visual Space Perception 1.6 A History of the
Ideas Behind Ecological Optics: Introductory Remarks at the Workshop on
Ecological Optics 1.7 On the Analysis of Change in the Optic Array 1.8 What
is Involved in Surface Perception? Part 2: Movement and Motion: The
Perception of Action and Events Edward Reed and Rebecca Jones 2.1 A
Theoretical Field-Analysis of Automobile-Driving 2.2 The Ability to Judge
Distance and Space in Terms of the Retinal Motion Cue 2.3 Visually
Controlled Locomotion and Visual Orientation in Animals 2.4 The Uses of
Proprioception and the Detection of Propriospecific Information 2.5 The
Problem of Temporal Order in Stimulation and Perception 2.6 What Gives Rise
to the Perception of Motion? 2.7 The Change from Visible to Invisible: A
Study of Optical Transitions 2.8 The Problem of Event Perception 2.9
Ecological Physics, Magic, and Reality Part 3: The Perception of Pictures
Edward Reed and Rebecca Jones 3.1 Pictures as Substitutes for Visual
Realities 3.2 A Theory of Pictorial Perception 3.3 Pictures, Perspective,
and Perception 3.4 The Information Available in Pictures 3.5 On the Concept
of "Formless Invariants" in Visual Perception 3.6 Notes on Direct
Perception and Indirect Apprehension Part 4: Implications of Ecological
Realism Edward Reed and Rebecca Jones 4.1 What is a Form? 4.2 Perceptual
Learning: Differentiation or Enrichment? 4.3 The Concept of the Stimulus in
Psychology 4.4 The Useful Dimensions of Sensitivity 4.5 New Reasons for
Realism 4.6 Notes on Action 4.7 On the New Idea of Persistence and Change
and the Old Ideas that it Drives Out 4.8 The Myth of Passive Perception: A
Reply to Richards 4.9 Notes on Affordances. References. Complete
Bibliography of James J. Gibson. Author Index. Subject Index.