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This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread…mehr
This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists' dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change. LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University. She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
Cover Title Page Contents ARTISTIC RESEARCH IN A WORLD ON FIRE MAKING AS FUTURE SURVIVAL SOUNDING OUT THE LAW HEALING AS BECOMING HISTORY AS A QUESTION FACT AS FICTION EMBODIED KNOWLEDGE LANGUAGE AS FILM MAKING AS TRANSLATION ART AS NON-KNOWLEDGE PERFORMANCE AS PHILOSOPHY SEEING AS UNKNOWING SOUND AS KNOWLEDGE REHEARSAL AS A MODE OF BEING BEYOND LANGUAGE BECOMING THE ARCHIVE KNOWLEDGE AS PRODUCTION THE MALLEABILITY OF SPACE AND TIME RESEARCH AS PLAY BETWEEN THE VIRTUAL AND THE REAL WORLDING MATTER FUTURE ECOLOGIES WRITING AS EXPERIMENT THE FUTURE OF INSTITUTIONS TECHNOLOGY AS CARE RECLAIMING ARTISTIC RESEARCH Acknowledgments Biographies Colophon
Cover Title Page Contents ARTISTIC RESEARCH IN A WORLD ON FIRE MAKING AS FUTURE SURVIVAL SOUNDING OUT THE LAW HEALING AS BECOMING HISTORY AS A QUESTION FACT AS FICTION EMBODIED KNOWLEDGE LANGUAGE AS FILM MAKING AS TRANSLATION ART AS NON-KNOWLEDGE PERFORMANCE AS PHILOSOPHY SEEING AS UNKNOWING SOUND AS KNOWLEDGE REHEARSAL AS A MODE OF BEING BEYOND LANGUAGE BECOMING THE ARCHIVE KNOWLEDGE AS PRODUCTION THE MALLEABILITY OF SPACE AND TIME RESEARCH AS PLAY BETWEEN THE VIRTUAL AND THE REAL WORLDING MATTER FUTURE ECOLOGIES WRITING AS EXPERIMENT THE FUTURE OF INSTITUTIONS TECHNOLOGY AS CARE RECLAIMING ARTISTIC RESEARCH Acknowledgments Biographies Colophon
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